<?xml version="1.0" encoding="utf-8"?>
<!-- If you are running a bot please visit this policy page outlining rules you must respect. http://www.livejournal.com/bots/ -->
<feed xmlns="http://www.w3.org/2005/Atom" xmlns:lj="http://www.livejournal.com">
  <id>urn:lj:livejournal.com:atom1:remnil</id>
  <title>Tales of an eccentric redhead radical militant librarian</title>
  <subtitle>Haphazardly updated</subtitle>
  <author>
    <name>Buzzy</name>
  </author>
  <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/"/>
  <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom"/>
  <updated>2007-06-28T02:37:54Z</updated>
  <lj:journal username="remnil" type="personal"/>
  <link rel="service.feed" type="application/x.atom+xml" href="http://remnil.livejournal.com/data/atom" title="Tales of an eccentric redhead radical militant librarian"/>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:10128</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/10128.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=10128"/>
    <title>My other job</title>
    <published>2007-06-28T02:20:06Z</published>
    <updated>2007-06-28T02:37:54Z</updated>
    <category term="google book search"/>
    <category term="library valuation"/>
    <category term="copyright"/>
    <category term="libraries"/>
    <category term="mbooks"/>
    <category term="university of michigan libraries"/>
    <category term="economics"/>
    <content type="html">This summer, I actually have two jobs (well, three I suppose.  But two of them are at the same place).  I'm also serving as the research assistant for the University Librarian (aka, the head honcho).  Despite his title, he is not, in fact, a librarian; he's an economist.  Needless to say, this has caused some grumbling among the ranks.  Personally, I think it's actually a good thing, as he's questioning some business-as-usual stuff that really needs to be questioned such as, for instance, why our database search system &lt;a href="http://searchtools.lib.umich.edu/" target="_blank"&gt;Search Tools&lt;/a&gt; sucks so much.  Or, asked differently, why do libraries put up with Ex Libris et al.'s shitty products?  Sometimes, I think librarians need more of an economist and/or public manager's mindset.&lt;br /&gt;&lt;br /&gt;Anyhoo, he's been having me look into how one can place a value on the invaluable: recorded heritage, archives, libraries, etc.  Wrapped up in this whole debate is the value of publicly-accessible information (and a way of defending the University's liberal copyright stance with &lt;a href="http://books.google.com/" target="_blank"&gt;Google Book Search&lt;/a&gt;).  I found one &lt;a href="http://dlis.dos.state.fl.us/bld/roi/" target="_blank"&gt;study from Florida&lt;/a&gt; that claims that, for every $6,488 invested in libraries, one job is created in the economy.&lt;br /&gt;&lt;br /&gt;Now, I'm just as much of a promoter of libraries as the next librarian, but this just sounds patently false to me.  Making grandiose claims like that may hurt our cause more than help it.  As a politician looking at funding libraries, I would look at a study like this and think that the numbers were padded (the authors seem to use some pretty liberal assumptions).  &lt;br /&gt;&lt;br /&gt;On another topic, one of the paths down which Paul sent me was to find out about the quote "You should think of &lt;i&gt;free&lt;/i&gt; as in &lt;i&gt;free speech&lt;/i&gt;, not &lt;i&gt;free beer&lt;/i&gt;.  Interestingly enough, there's something that satisfies both conceptions of the term: &lt;a href="http://www.freebeer.org/" target="_blank"&gt;FREE BEER&lt;/a&gt;!&lt;br /&gt;&lt;br /&gt;Anyway, those are my ramblings for tonight.  In case you're interested, here are some further thoughts on the topic of destroying books:&lt;br /&gt;&lt;br /&gt;&lt;img src="http://imgs.xkcd.com/comics/librarians.png" height="95%" width="95%"&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:9817</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/9817.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=9817"/>
    <title>My job: tearing up books</title>
    <published>2007-06-21T03:31:40Z</published>
    <updated>2007-06-21T03:33:22Z</updated>
    <category term="public libraries"/>
    <category term="librarianship"/>
    <category term="unshelved"/>
    <category term="aadl"/>
    <content type="html">So my job at the public library gives me ample opportunity to work with "real people."  I really do feel like I'm more in touch with reality there, even if the questions aren't stimulating, although I can't say that answering questions for clueless undergraduates is really that stimulating, either.  Case in point:&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Undergraduate:&lt;/b&gt; Do you have any articles on, like, sociology? [Yes, she actually said "like"]&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Me:&lt;/b&gt; Yes, I can show you how to access LOTS of articles about sociology.  Is there a specific topic you're interested in researching?&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Undergraduate:&lt;/b&gt; No, I really just need articles on sociology.  My paper's due tomorrow.&lt;br /&gt;&lt;br /&gt;Anyway, one interesting feature of my public library job has to do with collection maintenance.  I'm in charge of the adult fiction, mystery, DVD, and CD collections.  Unfortunately, I don't get to purchase new stuff or anything cool like that.  Instead, I scour the collections to spot duplicates, damaged books, things that smell, DVDs people have used as coasters, and other such nonsense.&lt;br /&gt;&lt;br /&gt;What this means is that I destroy books.  Yes, it's true.  Members of that vaunted profession, librarians, tear of books on a regular basis.  I really only do this for damaged books, however: broken spines, coffee stains, etc.  Unfortunately, you can't really sell such items and it's not really worth the time and effort to repair them, particularly not if it's your 80th copy of the latest Janet Evanovich.  Good stuff does get sold, though.&lt;br /&gt;&lt;br /&gt;Even though tearing up the books is for the better (we're recycling the paper), I still feel somewhat queasy about the process.  It's strange, in a profession whose underlying value is the proper stewardship of information, to be destroying it.  In my stack of items to read is a book called &lt;i&gt;&lt;a href="http://www.librarything.com/work/5265" target="_blank"&gt;Double fold: libraries and the assault on paper&lt;/a&gt;&lt;/i&gt;, written by a rabble-rouser of the profession, about more nefarious and/or unfortunate destruction of information.  I wonder where the line should be drawn.&lt;br /&gt;&lt;br /&gt;Anyway, on to cheerier things.  Have I mentioned before how much I love &lt;a href="http://www.unshelved.com/" target="_blank"&gt;Unshelved&lt;/a&gt;?  Well, I do.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.unshelved.com/strips/20070611.gif"&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:9702</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/9702.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=9702"/>
    <title>Summer o' libraries</title>
    <published>2007-06-14T03:13:13Z</published>
    <updated>2007-06-14T03:13:13Z</updated>
    <category term="state libraries"/>
    <category term="public libraries"/>
    <category term="library 2.0"/>
    <category term="libraries"/>
    <category term="academic libraries"/>
    <category term="mlibrary2"/>
    <content type="html">This summer, I have two jobs, one at the &lt;a href="http://www.aadl.org" target="blank"&gt;Ann Arbor District Library (AADL)&lt;/a&gt; and one at the &lt;a href="http://lib.umich.edu" target="blank"&gt;University of Michigan Library&lt;/a&gt;.  I've had a hiatus from the public library realm for a while, paying ye olde tuition bill by being a TA.&lt;br /&gt;&lt;br /&gt;My return to a public library has made me realize how much I love working in them.  I feel closer to real people.  Well, maybe "real people" is the wrong term.  I feel like I'm helping make the world a better place.  At times, this even seems odd to me, since much of what I seem to do is place holds on DVDS for people.  Nonetheless, I feel like I'm closer to helping solve people's problems than I do at the Graduate Library.  Being back at a public library, despite my misgivings with AADL itself, really confirmed my desire to go into public librarianship.&lt;br /&gt;&lt;br /&gt;But then I've been questioning even this of late.  Last week, I was at a workshop/session on library 2.0, i.e. using web 2.0 applications in delivering library services, and I had this epiphany.  Here we were, talking about exciting our patrons with tagging and high-level browse and reaching out to them on Facebook.  And I began thinking about all those people who have to clue what Facebook or del.icio.us are, because they lack the information access with which we're blessed.  Africa, Southeast Asia, South America.  Maybe, I started thinking, I should try to promote information access internationally.&lt;br /&gt;&lt;br /&gt;And to throw yet another wrench into the gears, I'm still thinking about going into state libraries, thank to my internship last summer at the &lt;a href="http://www.oregon.gov/osl" target="blank"&gt;Oregon State Library&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;In sum, I don't know what kind of librarian I want to be.  I just know I don't want to be holed up in a university library somewhere.  I'm tired of being a student.  I'm tired of working with academics (important though they are to our society).  People have suggested that I go on to get a Ph.D. in library science, and I cringe at the thought.  This is going to could terminally cheesy, but as a librarian, I hope to make a positive impact on the world.  Hopefully, I'll find the right path to make that happen.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:9238</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/9238.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=9238"/>
    <title>Wow</title>
    <published>2007-05-11T00:38:02Z</published>
    <updated>2007-05-11T01:08:08Z</updated>
    <category term="indexed"/>
    <category term="same-sex relationships"/>
    <content type="html">As my first post in god knows how long, let me just say that this deserves mad props:&lt;br /&gt;&lt;br /&gt;&lt;img src="http://bp1.blogger.com/_FBXGhy-QmVw/RkJ9gWDEaTI/AAAAAAAAA5g/RZeY00sqqcY/s320/card845.JPG" /&gt;&lt;br /&gt;Source: &lt;a href="http://indexed.blogspot.com/" target="_blank"&gt;Indexed&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;More real posts later.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:9156</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/9156.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=9156"/>
    <title>remnil @ 2006-07-24T16:31:00</title>
    <published>2006-07-25T00:05:49Z</published>
    <updated>2006-07-25T00:05:49Z</updated>
    <category term="taxes (not really)"/>
    <category term="death"/>
    <category term="philosophical ramblings"/>
    <category term="cemeteries"/>
    <content type="html">So I finished &lt;a href="http://www.amazon.com/gp/product/1560258470/sr=8-2/qid=1153178068/ref=sr_1_2/104-6740160-6235946?ie=UTF8" target="_blank"&gt;&lt;b&gt;&lt;i&gt;Living among headstones: life in a country cemetery&lt;/b&gt;&lt;/i&gt;&lt;/a&gt; by Shannon Applegate a few days ago, and it naturally fed right into my somewhat morbid personality and affinity for cemeteries.  It actually inspired me to visit a an old cemetery here in Salem, the &lt;a href="http://www.salempioneercemetery.org/" target="_blank"&gt;Salem Pioneer Cemetery&lt;/a&gt;, which is right next to the &lt;a href="http://www.city-view.org/" target="_blank"&gt;Cityview Cemetery and Mt. Crest Abbey Mausoleum&lt;/a&gt;, as it so happens.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;The Pioneer Cemetery is, naturally, rather old.  But, aside from a few particularly well-kept graves, the sites is a little shabby.  Ground squirrels have made their homes amongst the graves and, quite honestly, appear to rule the place.  The plants and trees have grown large, their long branches hanging low over the graves.  Many gravestones are unreadable, with lichens of various kinds obscuring their names and dates.  Strangely, though, along with the traditional questions one might consider - who was this family that was important/rich enough to have an above-ground mausoleum - there was a peace there.  Life was flourishing, and the cemetery keepers clearly made little effort to prevent those ground squirrels, those crows, those plans from spreading their life throughout the area.  It felt as if the dead there had truly achieved peace, had returned to the earth, to heaven, to hell, to nothingness, to whatever you believe the death return.  There was little order to the gravestones, either in their design or layout.  The variety kept me constantly curious, constantly veering off the path toward another monument, small or large.&lt;br /&gt;&lt;br /&gt;The Cityview Cemetery was quite a contrast.  Clearly a newer cemetery, the gravestones were in neat rows and shone with the brightness of upkeep and modernity.  No dull granite for contemporary folk: we want shiny marble.  The mausoleum, built in the 1970s, was even more staid and ordered.  Its walls shone like a Russian czar's palace.&lt;br /&gt;&lt;br /&gt;But even with all of its order and the pomp and circumstance undoubtedly associated with its ceremonies, the newer cemetery seemed - unfulfilling.  I don't mean for me - I would prefer not to be buried in such a place - but rather for the dead.  By encasing the dead in these sealed marble tombs, by laying them out in defined rows, by cutting the grass whenever it exceeds some predetermined length, are we entrapping them?  Is all this attention comforting, or stifling?&lt;br /&gt;&lt;br /&gt;All along the edges of the new cemetery, you see like trying to creep in: weeds, blackberry vines, trees limbs.  But they are unceremoniously cut when they reach the boundary.  The only trees and plants within the confines of the cemetery were small, well-trimmed, and, if I might say, soulless.  It seemed almost as if, by so rigidly controlling what was and was not in the cemetery, its keepers were saying: this is a place of death, and only by keeping it as such do we do justice to those who lay here.&lt;br /&gt;&lt;br /&gt;But still, its age aside, the pioneer cemetery, an area teeming with life, seemed somehow more fitting.  I wouldn't say it was neglected, just . . . allowed to develop a bit more naturally.  And it seemed to carry the duality of life and death much more comfortably than the new cemetery, seemed to inherently acknowledge that the two cannot be artificially separated without generating angst, dissatisfaction, a lack.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Current book: &lt;i&gt;&lt;a href="http://www.amazon.com/gp/product/067400194X/sr=1-1/qid=1153784047/ref=pd_bbs_1/103-1449723-3634243?ie=UTF8&amp;amp;s=books" target="_blank"&gt;Avatars of the word: from papyrus to cyberspace&lt;/a&gt;&lt;/i&gt;&lt;/b&gt; by James J. O'Donnell.  This book is for class (ugh!).  I'm only about a chapter and a half into it.  The guy rambles a bit, and I'm skeptical of his interpretations of Socrates, but I'm keeping an open mind.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:8726</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/8726.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=8726"/>
    <title>Philosophical ramblings on gender</title>
    <published>2006-07-18T00:06:47Z</published>
    <updated>2006-07-24T23:29:55Z</updated>
    <category term="gender"/>
    <category term="sheri s. tepper"/>
    <category term="science fiction"/>
    <category term="philosophical ramblings"/>
    <category term="reading"/>
    <category term="books"/>
    <content type="html">All right, so I know I haven't posted in, well, forever.  But for the time being, I'm not going to update on what I've actually been doing and instead comment on a great book I've just read.&lt;br /&gt;&lt;br /&gt;This weekend, I finished Sheri S. Tepper's &lt;a href="http://www.amazon.com/gp/product/0553280643/qid=1153178630/sr=2-1/ref=pd_bbs_b_2_1/104-6740160-6235946?s=books&amp;amp;v=glance&amp;amp;n=283155" target="_blank"&gt;&lt;i&gt;&lt;b&gt;The gate to Women's Country&lt;/b&gt;&lt;/i&gt;&lt;/a&gt;, a post-apocalyptic sci-fi novel about a society run by women.&lt;br /&gt;&lt;br /&gt;As one would expect with such a subject, the story naturally asks the question, "How would society develop if women were in power?"  This question has always fascinated me.  And Tepper's answer, of sorts, proves even more intriguing.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;A testosterone-driven nuclear pissing match generates the unspecified apocalypse of Tepper's world.  With only a few people left, one enterprising woman takes control of a village and determines that male's violent tendencies must be genetically bred out of the population.  Essentially, Women's Country engages in a gender-targeted form of eugenics (and I don't necessarily use that term pejoratively).&lt;br /&gt;&lt;br /&gt;Ethical concerns aside, I think the premise of the book raises an equally interesting question: are men naturally inclined to be violent?  I remember getting into a conversation with &lt;span class='ljuser' lj:user='kaeruneko' style='white-space: nowrap;'&gt;&lt;a href='http://kaeruneko.livejournal.com/profile'&gt;&lt;img src='http://p-stat.livejournal.com/img/userinfo.gif' alt='[info]' width='17' height='17' style='vertical-align: bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://kaeruneko.livejournal.com/'&gt;&lt;b&gt;kaeruneko&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; about precisely this topic  after a Gender Studies Symposium at LC.  At the time, I argued that men have at least some biological predisposition to be so.  I have since somewhat backed off from this position.  This retreat may not be so much be due to new evidence - if anything, recent news and articles I've read regarding genetics suggest that it is indeed true - as it is a sincere hope that we can peacefully coexist in a society which seems to unfortunately be dominated by men.&lt;br /&gt;&lt;br /&gt;But this novel, as well as the &lt;a href="http://news.bbc.co.uk/2/hi/middle_east/5179434.stm" target="_blank"&gt;&lt;b&gt;recent news&lt;/b&gt;&lt;/a&gt; have made me wonder if violence is inherently male or simply inherently human.  Certainly I cannot deny that putting too many men together in one place has terrible results.  &lt;a href="http://www.amazon.com/gp/product/0399501487/qid=1153179949/sr=2-1/ref=pd_bbs_b_2_1/104-6740160-6235946?s=books&amp;amp;v=glance&amp;amp;n=283155" target="_blank"&gt;&lt;b&gt;&lt;i&gt;Lord of the flies&lt;/b&gt;&lt;/i&gt;&lt;/a&gt; is an ample thought experiment on that (Although &lt;a href="http://www.amazon.com/gp/product/0671039555/qid=1153180992/sr=2-1/ref=pd_bbs_b_2_1/104-6740160-6235946?s=books&amp;amp;v=glance&amp;amp;n=283155" target="_blank"&gt;&lt;b&gt;&lt;i&gt;John Dollar&lt;/b&gt;&lt;/i&gt;&lt;/a&gt; provides an interesting female contrast).  This is also one of the many reasons why I will never join the military.  But would more women in positions of power help?  I'm really not sure.  Anecdotally, I would say that it would simply  shift the violence to other forms; there are forms of non-physical (e.g. psychological) forms of "violence" that are stereotypically attributed to women, although I have no idea what the research says regarding this.&lt;br /&gt;&lt;br /&gt;In other words, are we simply naturally-violent, whatever one determines to be violent?  If so, we as a society need to work on setting up social institutions that promote nonviolence, just as many groups have been trying.  But if violence is indeed concentrated in men, is there some sort of gender-specific intervention that would help?  Eugenics certainly crosses an ethical boundary in that regard, but is there something less intrusive that would help?&lt;br /&gt;&lt;br /&gt;Maybe I've simply been reading too much post-apocalyptic sci-fi lately, but I find the question to be a frightening and dire one.  Despite the end of the Cold War, we quite obviously still have the potential to generate a tremendous amount of damage to ourselves and the world.  What can we do to avoid it?&lt;br /&gt;&lt;br /&gt;At the very least, we can work on the social factors that affect violence in society.  Among other things, the US cultural portrayal of masculinity sends terrible messages, and it's only exacerbated by today's media and political environments.&lt;br /&gt;&lt;br /&gt;Anyway, that's my philosophical dilemma for the week.  I hope that y'all are doing well.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Current Book:&lt;/b&gt; &lt;a href="http://www.amazon.com/gp/product/1560258470/sr=8-2/qid=1153178068/ref=sr_1_2/104-6740160-6235946?ie=UTF8" target="_blank"&gt;&lt;b&gt;&lt;i&gt;Living among headstones: life in a country cemetery&lt;/b&gt;&lt;/i&gt;&lt;/a&gt; by Shannon Applegate.  A fascinating book about a woman (a friend of my mother's and an ex-babysitter of mine, actually) who inherits a family cemetery.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:8647</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/8647.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=8647"/>
    <title>Willie Nelson &amp;gt; everyone</title>
    <published>2006-02-20T16:54:45Z</published>
    <updated>2006-02-20T16:56:29Z</updated>
    <content type="html">Willie Nelson is so cool.&lt;br /&gt;&lt;br /&gt;Who else could pull off a song &lt;b&gt;&lt;a href="http://www.songlyricscollection.com/p/Pansy%20Division/Pile%20Up/Cowboys%20Are%20Frequently%20Secretly%20Fond%20of%20Each%20Other%20lyrics.htm" target="_blank"&gt;like this&lt;/a&gt;&lt;/b&gt;?&lt;br /&gt;&lt;br /&gt;I realize that the original is by Pansy Division, Willie's managing to bring the song to an audience that nobody else could.&lt;br /&gt;&lt;br /&gt;Like I said: Willie Nelson is the man.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:8291</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/8291.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=8291"/>
    <title>Bumper sticker amusements</title>
    <published>2006-02-15T23:06:31Z</published>
    <updated>2006-02-16T12:56:31Z</updated>
    <category term="bumper stickers"/>
    <content type="html">Bumper sticker seen on a car in Ann Arbor this morning:&lt;br /&gt;&lt;br /&gt;"Focus on your own damn family."&lt;br /&gt;&lt;br /&gt;Nice.  Very nice.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:8134</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/8134.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=8134"/>
    <title>I got tagged! - My quirky habits</title>
    <published>2006-02-07T00:51:30Z</published>
    <updated>2006-02-07T00:51:30Z</updated>
    <category term="habits"/>
    <content type="html">Ground Rules: The first player of this "game" starts with the topic "5 weird habits of yours" and people who get tagged need to write an LJ entry about their 5 quirky habits as well as state this rule clearly. In the end, you need to choose the next 5 people to be tagged and list their names&lt;br /&gt;&lt;br /&gt;1. One of my fidgety habits is to continually tear a piece of paper into smaller and smaller pieces.&lt;br /&gt;&lt;br /&gt;2. When I'm thinking, I often subconsciously make a craoaking sound by pushing air into my cheek.&lt;br /&gt;&lt;br /&gt;3. I actually read the discussion and revision history in Wikipedia articles.&lt;br /&gt;&lt;br /&gt;4. I like eating raw potatoes, when given the chance.&lt;br /&gt;&lt;br /&gt;5. I am orderly to a fault in the context of my library jobs, yet my desk at home is always piled with unordered papers and whatnot.&lt;br /&gt;&lt;br /&gt;Tagging: &lt;span class='ljuser' lj:user='cymric' style='white-space: nowrap;'&gt;&lt;a href='http://cymric.livejournal.com/profile'&gt;&lt;img src='http://p-stat.livejournal.com/img/userinfo.gif' alt='[info]' width='17' height='17' style='vertical-align: bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://cymric.livejournal.com/'&gt;&lt;b&gt;cymric&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;, &lt;span class='ljuser' lj:user='johnnylemonhead' style='white-space: nowrap;'&gt;&lt;a href='http://johnnylemonhead.livejournal.com/profile'&gt;&lt;img src='http://p-stat.livejournal.com/img/userinfo.gif' alt='[info]' width='17' height='17' style='vertical-align: bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://johnnylemonhead.livejournal.com/'&gt;&lt;b&gt;johnnylemonhead&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;, &lt;span class='ljuser' lj:user='kaeruneko' style='white-space: nowrap;'&gt;&lt;a href='http://kaeruneko.livejournal.com/profile'&gt;&lt;img src='http://p-stat.livejournal.com/img/userinfo.gif' alt='[info]' width='17' height='17' style='vertical-align: bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://kaeruneko.livejournal.com/'&gt;&lt;b&gt;kaeruneko&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;, &lt;span class='ljuser' lj:user='madamanada' style='white-space: nowrap;'&gt;&lt;a href='http://www.livejournal.com/userinfo.bml?user=madamanada'&gt;&lt;img src='http://p-stat.livejournal.com/img/userinfo.gif' alt='[info]' width='17' height='17' style='vertical-align: bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://www.livejournal.com/userinfo.bml?user=madamanada'&gt;&lt;b&gt;madamanada&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;, and &lt;span class='ljuser' lj:user='saffron_ree' style='white-space: nowrap;'&gt;&lt;a href='http://saffron-ree.livejournal.com/profile'&gt;&lt;img src='http://p-stat.livejournal.com/img/userinfo.gif' alt='[info]' width='17' height='17' style='vertical-align: bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://saffron-ree.livejournal.com/'&gt;&lt;b&gt;saffron_ree&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:7884</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/7884.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=7884"/>
    <title>Ah, economists!</title>
    <published>2006-01-30T01:03:08Z</published>
    <updated>2006-01-30T01:07:59Z</updated>
    <content type="html">Quote from microeconomics textbook:&lt;br /&gt;&lt;br /&gt;"As income rises, households satisfy progressively less pressing needs.&amp;nbsp; When income is low, it is devoted to the necessities of life - food, clothing, shelter, and television sets.&amp;nbsp; As income rises, more is spent on luxury goods such as theater tickets and textbooks."&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Current Book:&lt;/b&gt; &lt;i&gt;A guide to benefit-cost analysis&lt;/i&gt;, 2nd ed., by Edward M. Gramlich</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:7560</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/7560.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=7560"/>
    <title>Achieved with a little research (though not much)</title>
    <published>2006-01-26T02:53:13Z</published>
    <updated>2006-01-26T03:02:15Z</updated>
    <category term="librarian"/>
    <content type="html">&lt;table align="center" cellpadding="20"&gt; &lt;tbody&gt;&lt;tr&gt; &lt;td align="center"&gt; &lt;font size="5"&gt;&lt;b&gt;Head Librarian&lt;/b&gt;&lt;/font&gt;&lt;br&gt; You scored 86% on knowledge of librarianship. &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td&gt;&lt;br /&gt;No pun intended. You know your stuff! Not only do you know the basics,&lt;br /&gt;but you know your library history, your who's who, your politics, and&lt;br /&gt;your technicalities. You are a true-blue librarian. &lt;/td&gt; &lt;/tr&gt; &lt;tr&gt; &lt;td align="center"&gt;  &lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt; &lt;br&gt;&lt;br&gt;&lt;br&gt; &lt;table cellpadding="20"&gt; &lt;tbody&gt;&lt;tr&gt; &lt;td&gt; &lt;span&gt;My test tracked 1 variable How you compared to other people &lt;i&gt;your age and gender&lt;/i&gt;:&lt;blockquote&gt;&lt;table border="0" cellpadding="0" cellspacing="4"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign="middle"&gt;&lt;table bgcolor="black" border="0" cellpadding="0" cellspacing="1"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td bgcolor="#b2cfff" height="20" width="149"&gt;&lt;a href="http://www.okcupid.com"&gt;&lt;img src="http://is2.okcupid.com/graphics/0.gif" alt="free online dating" border="0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;td bgcolor="white" width="1"&gt;&lt;a href="http://www.okcupid.com"&gt;&lt;img src="http://is2.okcupid.com/graphics/0.gif" alt="free online dating" border="0"&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;td valign="middle"&gt;You scored higher than &lt;b&gt;99%&lt;/b&gt; on &lt;b&gt;knowledge&lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/blockquote&gt;&lt;/span&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt; &lt;table cellpadding="20"&gt;&lt;tr&gt;&lt;td&gt;Link: &lt;a href="http://www.okcupid.com/tests/take?testid=16327970492571681853"&gt;The Are You a Librarian Test&lt;/a&gt; written by &lt;a href="http://www.okcupid.com/profile?tuid=3017383123937470416"&gt;attention&lt;/a&gt; on &lt;a href="http://www.okcupid.com"&gt;Ok Cupid&lt;/a&gt;, home of the &lt;a href="http://www.okcupid.com/oktest3"&gt;32-Type Dating Test&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:7279</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/7279.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=7279"/>
    <title>A book list a la averagesmartguy</title>
    <published>2006-01-25T01:38:13Z</published>
    <updated>2006-01-25T17:12:28Z</updated>
    <category term="books"/>
    <content type="html">Bold the books you have read&lt;br /&gt;Italicize the books you had read to you as a child or read as a child and cannot remember&lt;br /&gt;Underline the books you intend to read&lt;br /&gt;Strike the books you hated so much you couldn't finish them&lt;br /&gt;Add three&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;br /&gt;&lt;b&gt;1. The Lord of the Rings, JRR Tolkien&lt;/b&gt;&lt;br /&gt;&lt;u&gt;2. Pride and Prejudice, Jane Austen&lt;/u&gt;&lt;br /&gt;&lt;b&gt;3. His Dark Materials Trilogy, Philip Pullman (First one)&lt;/b&gt;&lt;br /&gt;&lt;b&gt;4. The Hitchhikers Guide to the Galaxy, Douglas Adams&lt;/b&gt;&lt;br /&gt;&lt;b&gt;5. Harry Potter and the Goblet of Fire, JK Rowling&lt;/b&gt;&lt;br /&gt;&lt;b&gt;6. To Kill a Mockingbird, Harper Lee&lt;/b&gt;&lt;br /&gt;&lt;b&gt;7. Winnie the Pooh, AA Milne&lt;/b&gt;&lt;br /&gt;&lt;b&gt;8. 1984, George Orwell&lt;/b&gt;&lt;br /&gt;&lt;b&gt;9. The Lion, the Witch and the Wardrobe, CS Lewis&lt;/b&gt;&lt;br /&gt;&lt;b&gt;10. Jane Eyre, Charlotte Bronte&lt;/b&gt;&lt;br /&gt;&lt;u&gt;11. Catch-22, Joseph Heller&lt;/u&gt;&lt;br /&gt;12. Wuthering Heights, Emily Bronte&lt;br /&gt;13. Birdsong, Sebastian Faulks&lt;br /&gt;14. Rebecca, Daphne du Maurier&lt;br /&gt;&lt;u&gt;15. The Catcher in the Rye, JD Salinger&lt;/u&gt;&lt;br /&gt;&lt;i&gt;16. The Wind in the Willows, Kenneth Grahame&lt;/i&gt;&lt;br /&gt;&lt;u&gt;17. Great Expectations, Charles Dickens&lt;/u&gt;&lt;br /&gt;&lt;u&gt;18. Little Women, Louisa May Alcott&lt;/u&gt;&lt;br /&gt;&lt;u&gt;19. Captain Corelli’s Mandolin, Louis de Bernieres&lt;/u&gt;&lt;br /&gt;20. War and Peace, Leo Tolstoy&lt;br /&gt;21. Gone with the Wind, Margaret Mitchell&lt;br /&gt;&lt;b&gt;22. Harry Potter And The Philosopher's Stone, JK Rowling&lt;/b&gt;&lt;br /&gt;&lt;b&gt;23. Harry Potter And The Chamber Of Secrets, JK Rowling&lt;/b&gt;&lt;br /&gt;&lt;b&gt;24. Harry Potter And The Prisoner Of Azkaban, JK Rowling&lt;/b&gt;&lt;br /&gt;&lt;b&gt;25. The Hobbit, JRR Tolkien&lt;/b&gt;&lt;br /&gt;26. Tess Of The D'Urbervilles, Thomas Hardy&lt;br /&gt;27. Middlemarch, George Eliot&lt;br /&gt;28. A Prayer For Owen Meany, John Irving&lt;br /&gt;&lt;b&gt;29. The Grapes Of Wrath, John Steinbeck&lt;/b&gt;&lt;br /&gt;&lt;b&gt;30. Alice's Adventures In Wonderland, Lewis Carroll&lt;/b&gt;&lt;br /&gt;31. The Story Of Tracy Beaker, Jacqueline Wilson&lt;br /&gt;&lt;u&gt;32. One Hundred Years Of Solitude, Gabriel Garcia Marquez&lt;/u&gt;&lt;br /&gt;33. The Pillars Of The Earth, Ken Follett&lt;br /&gt;34. David Copperfield, Charles Dickens&lt;br /&gt;&lt;b&gt;35. Charlie And The Chocolate Factory, Roald Dahl&lt;/b&gt;&lt;br /&gt;&lt;i&gt;36. Treasure Island, Robert Louis Stevenson&lt;/i&gt;&lt;br /&gt;37. A Town Like Alice, Nevil Shute&lt;br /&gt;&lt;u&gt;38. Persuasion, Jane Austen&lt;/u&gt;&lt;br /&gt;&lt;b&gt;39. Dune, Frank Herbert&lt;/b&gt;&lt;br /&gt;&lt;u&gt;40. Emma, Jane Austen&lt;/u&gt;&lt;br /&gt;41. Anne Of Green Gables, LM Montgomery&lt;br /&gt;&lt;u&gt;42. Watership Down, Richard Adams&lt;/u&gt;&lt;br /&gt;&lt;u&gt;43. The Great Gatsby, F Scott Fitzgerald&lt;/u&gt;&lt;br /&gt;44. The Count Of Monte Cristo, Alexandre Dumas&lt;br /&gt;45. Brideshead Revisited, Evelyn Waugh&lt;br /&gt;&lt;b&gt;46. Animal Farm, George Orwell&lt;/b&gt;&lt;br /&gt;&lt;b&gt;47. A Christmas Carol, Charles Dickens&lt;/b&gt;&lt;br /&gt;48. Far From The Madding Crowd, Thomas Hardy&lt;br /&gt;49. Goodnight Mister Tom, Michelle Magorian&lt;br /&gt;50. The Shell Seekers, Rosamunde Pilcher&lt;br /&gt;51. The Secret Garden, Frances Hodgson Burnett&lt;br /&gt;&lt;b&gt;52. Of Mice And Men, John Steinbeck&lt;/b&gt;&lt;br /&gt;&lt;b&gt;53. The Stand, Stephen King&lt;/b&gt;&lt;br /&gt;54. Anna Karenina, Leo Tolstoy&lt;br /&gt;55. A Suitable Boy, Vikram Seth&lt;br /&gt;56. The BFG, Roald Dahl&lt;br /&gt;57. Swallows And Amazons, Arthur Ransome&lt;br /&gt;58. Black Beauty, Anna Sewell&lt;br /&gt;&lt;b&gt;59. Artemis Fowl, Eoin Colfer&lt;/b&gt;&lt;br /&gt;&lt;b&gt;60. Crime And Punishment, Fyodor Dostoyevsky&lt;/b&gt;&lt;br /&gt;61. Noughts And Crosses, Malorie Blackman&lt;br /&gt;62. Memoirs Of A Geisha, Arthur Golden&lt;br /&gt;&lt;b&gt;63. A Tale Of Two Cities, Charles Dickens&lt;/b&gt;&lt;br /&gt;64. The Thorn Birds, Colleen McCollough&lt;br /&gt;&lt;b&gt;65. Mort, Terry Pratchett&lt;/b&gt;&lt;br /&gt;66. The Magic Faraway Tree, Enid Blyton&lt;br /&gt;67. The Magus, John Fowles&lt;br /&gt;&lt;b&gt;68. Good Omens, Terry Pratchett and Neil Gaiman&lt;/b&gt;&lt;br /&gt;69. Guards! Guards!, Terry Pratchett&lt;br /&gt;&lt;b&gt;70. Lord Of The Flies, William Golding&lt;/b&gt;&lt;br /&gt;71. Perfume, Patrick Susskind&lt;br /&gt;72. The Ragged Trousered Philanthropists, Robert Tressell&lt;br /&gt;73. Night Watch, Terry Pratchett&lt;br /&gt;74. Matilda, Roald Dahl&lt;br /&gt;75. Bridget Jones's Diary, Helen Fielding&lt;br /&gt;76. The Secret History, Donna Tartt&lt;br /&gt;77. The Woman In White, Wilkie Collins&lt;br /&gt;&lt;u&gt;78. Ulysses, James Joyce&lt;/u&gt;&lt;br /&gt;79. Bleak House, Charles Dickens&lt;br /&gt;80. Double Act, Jacqueline Wilson&lt;br /&gt;&lt;i&gt;81. The Twits, Roald Dahl&lt;/i&gt;&lt;br /&gt;82. I Capture The Castle, Dodie Smith&lt;br /&gt;&lt;b&gt;83. Holes, Louis Sachar&lt;/b&gt;&lt;br /&gt;84. Gormenghast, Mervyn Peake&lt;br /&gt;85. The God Of Small Things, Arundhati Roy&lt;br /&gt;86. Vicky Angel, Jacqueline Wilson&lt;br /&gt;&lt;u&gt;87. Brave New World, Aldous Huxley&lt;/u&gt;&lt;br /&gt;88. Cold Comfort Farm, Stella Gibbons&lt;br /&gt;&lt;b&gt;89. Magician, Raymond E Feist&lt;/b&gt;&lt;br /&gt;&lt;u&gt;90. On The Road, Jack Kerouac&lt;/u&gt;&lt;br /&gt;91. The Godfather, Mario Puzo&lt;br /&gt;92. The Clan Of The Cave Bear, Jean M Auel&lt;br /&gt;93. The Colour Of Magic, Terry Pratchett&lt;br /&gt;94. The Alchemist, Paulo Coelho&lt;br /&gt;95. Katherine, Anya Seton&lt;br /&gt;96. Kane And Abel, Jeffrey Archer&lt;br /&gt;97. Love In The Time Of Cholera, Gabriel Garcia Marquez&lt;br /&gt;98. Girls In Love, Jacqueline Wilson&lt;br /&gt;99. The Princess Diaries, Meg Cabot&lt;br /&gt;100. Midnights Children, Salman Rushdie&lt;br /&gt;101. Three Men In A Boat, Jerome K. Jerome&lt;br /&gt;102. Small Gods, Terry Pratchett&lt;br /&gt;103. The Beach, Alex Garland&lt;br /&gt;&lt;u&gt;104. Dracula, Bram Stoker&lt;/u&gt;&lt;br /&gt;105. Point Blanc, Anthony Horowitz&lt;br /&gt;106. The Pickwick Papers, Charles Dickens&lt;br /&gt;107. Stormbreaker, Anthony Horowitz&lt;br /&gt;108. The Wasp Factory, Iain Banks&lt;br /&gt;109. The Day Of The Jackal, Frederick Forsyth&lt;br /&gt;110. The Illustrated Mum, Jacqueline Wilson&lt;br /&gt;111. Jude The Obscure, Thomas Hardy&lt;br /&gt;112. The Secret Diary Of Adrian Mole Aged 13 1/2, Sue Townsend&lt;br /&gt;113. The Cruel Sea, Nicholas Monsarrat&lt;br /&gt;114. Les Miserables, Victor Hugo&lt;br /&gt;115. The Mayor Of Casterbridge, Thomas Hardy&lt;br /&gt;116. The Dare Game, Jacqueline Wilson&lt;br /&gt;117. Bad Girls, Jacqueline Wilson&lt;br /&gt;&lt;u&gt;118. The Picture Of Dorian Gray, Oscar Wilde&lt;/u&gt;&lt;br /&gt;119. Shogun, James Clavell&lt;br /&gt;120. The Day Of The Triffids, John Wyndham&lt;br /&gt;121. Lola Rose, Jacqueline Wilson&lt;br /&gt;122. Vanity Fair, William Makepeace Thackeray&lt;br /&gt;123. The Forsyte Saga, John Galsworthy&lt;br /&gt;124. House Of Leaves, Mark Z. Danielewski&lt;br /&gt;125. The Poisonwood Bible, Barbara Kingsolver&lt;br /&gt;126. Reaper Man, Terry Pratchett&lt;br /&gt;127. Angus, Thongs And Full-Frontal Snogging, Louise Rennison&lt;br /&gt;128. The Hound Of The Baskervilles, Arthur Conan Doyle&lt;br /&gt;&lt;u&gt;129. Possession, A. S. Byatt&lt;/u&gt;&lt;br /&gt;&lt;b&gt;130. The Master And Margarita, Mikhail Bulgakov&lt;/b&gt;&lt;br /&gt;&lt;b&gt;131. The Handmaid's Tale, Margaret Atwood&lt;/b&gt;&lt;br /&gt;132. Danny The Champion Of The World, Roald Dahl&lt;br /&gt;133. East Of Eden, John Steinbeck&lt;br /&gt;134. George's Marvellous Medicine, Roald Dahl&lt;br /&gt;135. Wyrd Sisters, Terry Pratchett&lt;br /&gt;&lt;b&gt;136. The Color Purple, Alice Walker&lt;/b&gt;&lt;br /&gt;137. Hogfather, Terry Pratchett&lt;br /&gt;138. The Thirty-Nine Steps, John Buchan&lt;br /&gt;139. Girls In Tears, Jacqueline Wilson&lt;br /&gt;140. Sleepovers, Jacqueline Wilson&lt;br /&gt;&lt;i&gt;141. All Quiet On The Western Front, Erich Maria Remarque&lt;/i&gt;&lt;br /&gt;142. Behind The Scenes At The Museum, Kate Atkinson&lt;br /&gt;143. High Fidelity, Nick Hornby&lt;br /&gt;&lt;b&gt;144. It, Stephen King&lt;/b&gt;&lt;br /&gt;&lt;i&gt;145. James And The Giant Peach, Roald Dahl&lt;/i&gt;&lt;br /&gt;146. The Green Mile, Stephen King&lt;br /&gt;147. Papillon, Henri Charriere&lt;br /&gt;148. Men At Arms, Terry Pratchett&lt;br /&gt;149. Master And Commander, Patrick Obrian&lt;br /&gt;150. Skeleton Key, Anthony Horowitz&lt;br /&gt;151. Soul Music, Terry Pratchett&lt;br /&gt;152. Thief Of Time, Terry Pratchett&lt;br /&gt;153. The Fifth Elephant, Terry Pratchett&lt;br /&gt;154. Atonement, Ian McEwan&lt;br /&gt;155. Secrets, Jacqueline Wilson&lt;br /&gt;156. The Silver Sword, Ian Serraillier&lt;br /&gt;157. One Flew Over The Cuckoos Nest, Ken Kesey&lt;br /&gt;&lt;b&gt;158. Heart Of Darkness, Joseph Conrad&lt;/b&gt;&lt;br /&gt;159. Kim, Rudyard Kipling&lt;br /&gt;160. Cross Stitch (aka Outlander in the U.S.), Diana Gabaldon&lt;br /&gt;&lt;strike&gt;161. Moby Dick, Herman Melville&lt;/strike&gt;&lt;br /&gt;162. River God, Wilbur Smith&lt;br /&gt;163. Sunset Song, Lewis Grassic Gibbon&lt;br /&gt;&lt;strike&gt;164. The Shipping News, Annie Proulx&lt;/strike&gt;&lt;br /&gt;165. The World According To Garp, John Irving&lt;br /&gt;166. Lorna Doone, R. D. Blackmore&lt;br /&gt;167. Girls Out Late, Jacqueline Wilson&lt;br /&gt;168. The Far Pavilions, M. M. Kaye&lt;br /&gt;&lt;i&gt;169. The Witches, Roald Dahl&lt;/i&gt;&lt;br /&gt;&lt;b&gt;170. Charlotte's Web, E. B. White&lt;/b&gt;&lt;br /&gt;&lt;b&gt;171. Frankenstein, Mary Shelley&lt;/b&gt;&lt;br /&gt;172. They Used To Play On Grass, Terry Venables and Gordon Williams&lt;br /&gt;&lt;b&gt;173. The Old Man And The Sea, Ernest Hemingway&lt;/b&gt;&lt;br /&gt;&lt;b&gt;174. The Name Of The Rose, Umberto Eco&lt;/b&gt;&lt;br /&gt;&lt;b&gt;175. Sophie's World, Jostein Gaarder&lt;/b&gt;&lt;br /&gt;176. Dustbin Baby, Jacqueline Wilson&lt;br /&gt;177. Fantastic Mr. Fox, Roald Dahl&lt;br /&gt;&lt;b&gt;178. Lolita, Vladimir Nabokov&lt;/b&gt;&lt;br /&gt;&lt;b&gt;179. Jonathan Livingstone Seagull, Richard Bach&lt;/b&gt;&lt;br /&gt;&lt;i&gt;180. The Little Prince, Antoine De Saint-Exupery&lt;/i&gt;&lt;br /&gt;181. The Suitcase Kid, Jacqueline Wilson&lt;br /&gt;&lt;u&gt;182. Oliver Twist, Charles Dickens&lt;/u&gt;&lt;br /&gt;183. The Power Of One, Bryce Courtenay&lt;br /&gt;&lt;u&gt;184. Silas Marner, George Eliot&lt;/u&gt;&lt;br /&gt;185. American Psycho, Bret Easton Ellis&lt;br /&gt;186. The Diary Of A Nobody, George and Weedon Gross-Smith&lt;br /&gt;187. Trainspotting, Irvine Welsh&lt;br /&gt;188. Goosebumps, R. L. Stine&lt;br /&gt;189. Heidi, Johanna Spyri&lt;br /&gt;190. Sons And Lovers, D. H. Lawrence&lt;br /&gt;191. The Unbearable Lightness of Being, Milan Kundera&lt;br /&gt;192. Man And Boy, Tony Parsons&lt;br /&gt;193. The Truth, Terry Pratchett&lt;br /&gt;&lt;u&gt;194. The War Of The Worlds, H. G. Wells&lt;/u&gt;&lt;br /&gt;195. The Horse Whisperer, Nicholas Evans&lt;br /&gt;&lt;b&gt;196. A Fine Balance, Rohinton Mistry&lt;/b&gt;&lt;br /&gt;197. Witches Abroad, Terry Pratchett&lt;br /&gt;&lt;b&gt;198. The Once And Future King, T. H. White&lt;/b&gt;&lt;br /&gt;&lt;b&gt;199. The Very Hungry Caterpillar, Eric Carle&lt;/b&gt;&lt;br /&gt;200. Flowers In The Attic, Virginia Andrews&lt;br /&gt;&lt;b&gt;201. The Silmarillion, J.R.R. Tolkien&lt;/b&gt;&lt;br /&gt;202. The Eye of the World, Robert Jordan&lt;br /&gt;203. The Great Hunt, Robert Jordan&lt;br /&gt;204. The Dragon Reborn, Robert Jordan&lt;br /&gt;205. Fires of Heaven, Robert Jordan&lt;br /&gt;206. Lord of Chaos, Robert Jordan&lt;br /&gt;207. A Crown of Swords, Robert Jordan&lt;br /&gt;208. Winters Heart, Robert Jordan&lt;br /&gt;209. Crossroads of Twilight, Robert Jordan&lt;br /&gt;210. A Path of Daggers, Robert Jordan&lt;br /&gt;211. As Nature Made Him, John Colapinto&lt;br /&gt;212. Microserfs, Douglas Coupland&lt;br /&gt;213. The Married Man, Edmund White&lt;br /&gt;214. Winter's Tale, Mark Helprin&lt;br /&gt;215. The History of Sexuality, Michel Foucault (only part III though; it was for class)&lt;br /&gt;216. Cry to Heaven, Anne Rice&lt;br /&gt;217. Same-Sex Unions in Premodern Europe, John Boswell&lt;br /&gt;218. Equus, Peter Shaffer&lt;br /&gt;219. The Man Who Ate Everything, Jeffrey Steingarten&lt;br /&gt;220. Letters To A Young Poet, Rainer Maria Rilke&lt;br /&gt;221. Ella Minnow Pea, Mark Dunn&lt;br /&gt;222. The Vampire Lestat, Anne Rice&lt;br /&gt;223. Anthem, Ayn Rand&lt;br /&gt;&lt;i&gt;224. The Bridge To Terabithia, Katherine Paterson&lt;/i&gt;&lt;br /&gt;225. Tartuffe, Moliere&lt;br /&gt;&lt;b&gt;226. The Metamorphosis, Franz Kafka&lt;/b&gt;&lt;br /&gt;&lt;b&gt;227. The Crucible, Arthur Miller&lt;/b&gt;&lt;br /&gt;&lt;b&gt;228. The Trial, Franz Kafka&lt;/b&gt;&lt;br /&gt;&lt;b&gt;229. Oedipus Rex, Sophocles&lt;/b&gt;&lt;br /&gt;230. Oedipus at Colonus, Sophocles&lt;br /&gt;231. Death Be Not Proud, John Gunther&lt;br /&gt;&lt;u&gt;232. A Doll's House, Henrik Ibsen&lt;/u&gt;&lt;br /&gt;233. Hedda Gabler, Henrik Ibsen&lt;br /&gt;&lt;b&gt;234. Ethan Frome, Edith Wharton&lt;/b&gt;&lt;br /&gt;235. A Raisin In The Sun, Lorraine Hansberry&lt;br /&gt;236. ALIVE!, Piers Paul Read&lt;br /&gt;237. Grapefruit, Yoko Ono&lt;br /&gt;238. Trickster Makes This World, Lewis Hyde&lt;br /&gt;&lt;b&gt;239. The Mists of Avalon, Marion Zimmer Bradley&lt;/b&gt;&lt;br /&gt;&lt;b&gt;240. Chronicles of Thomas Convenant, Unbeliever, Stephen Donaldson&lt;/b&gt;&lt;br /&gt;241. Lord of Light, Roger Zelazny&lt;br /&gt;&lt;u&gt;242. The Amazing Adventures of Kavalier &amp; Clay, Michael Chabon&lt;/u&gt;&lt;br /&gt;&lt;b&gt;243. Summerland, Michael Chabon&lt;/b&gt;&lt;br /&gt;244. A Confederacy of Dunces, John Kennedy Toole&lt;br /&gt;&lt;u&gt;245. Candide, Voltaire&lt;/u&gt;&lt;br /&gt;246. The Wonderful Story of Henry Sugar and Six More, Roald Dahl&lt;br /&gt;247. Ringworld, Larry Niven&lt;br /&gt;248. The King Must Die, Mary Renault&lt;br /&gt;&lt;u&gt;249. Stranger in a Strange Land, Robert Heinlein&lt;/u&gt;&lt;br /&gt;&lt;u&gt;250. A Wrinkle in Time, Madeline L'Engle&lt;/u&gt;&lt;br /&gt;251. The Eyre Affair, Jasper Fforde&lt;br /&gt;&lt;b&gt;252. The House Of The Seven Gables, Nathaniel Hawthorne&lt;/b&gt;&lt;br /&gt;&lt;b&gt;253. The Scarlet Letter, Nathaniel Hawthorne&lt;/b&gt;&lt;br /&gt;254. The Joy Luck Club, Amy Tan&lt;br /&gt;255. The Great Gilly Hopkins, Katherine Paterson&lt;br /&gt;256. Chocolate Fever, Robert Kimmel Smith&lt;br /&gt;&lt;i&gt;265. Little House on the Prairie, Laura Ingalls Wilder&lt;/i&gt;&lt;br /&gt;&lt;i&gt;267. Where The Red Fern Grows, Wilson Rawls&lt;/i&gt;&lt;br /&gt;268. Griffin &amp; Sabine, Nick Bantock&lt;br /&gt;269. Witch of Blackbird Pond, Joyce Friedland&lt;br /&gt;&lt;b&gt;270. Mrs. Frisby And The Rats Of NIMH, Robert C. O'Brien&lt;/b&gt;&lt;br /&gt;271. Tuck Everlasting, Natalie Babbitt&lt;br /&gt;272. The Cay, Theodore Taylor&lt;br /&gt;273. From The Mixed-Up Files Of Mrs. Basil E. Frankweiler, E.L. Konigsburg&lt;br /&gt;274. The Phantom Tollbooth, Norton Juster&lt;br /&gt;275. The Westing Game, Ellen Raskin&lt;br /&gt;276. The Kitchen God's Wife, Amy Tan&lt;br /&gt;277. The Bone Setter's Daughter, Amy Tan&lt;br /&gt;278. Relic, Duglas Preston &amp; Lincolon Child&lt;br /&gt;&lt;b&gt;279. Wicked, Gregory Maguire&lt;/b&gt;&lt;br /&gt;&lt;b&gt;280. American Gods, Neil Gaiman&lt;/b&gt;&lt;br /&gt;281. Misty of Chincoteague, Marguerite Henry&lt;br /&gt;282. The Girl Next Door, Jack Ketchum&lt;br /&gt;283. Haunted, Judith St. George&lt;br /&gt;284. Singularity, William Sleator&lt;br /&gt;&lt;u&gt;285. A Short History of Nearly Everything, Bill Bryson&lt;/u&gt;&lt;br /&gt;286. Different Seasons, Stephen King&lt;br /&gt;287. Fight Club, Chuck Palahniuk&lt;br /&gt;288. About a Boy, Nick Hornby&lt;br /&gt;289. The Bookmans Wake, John Dunning&lt;br /&gt;290. The Church of Dead Girls, Stephen Dobyns&lt;br /&gt;&lt;b&gt;291. Illusions, Richard Bach&lt;/b&gt;&lt;br /&gt;292. Magic's Pawn, Mercedes Lackey&lt;br /&gt;293. Magic's Promise, Mercedes Lackey&lt;br /&gt;294. Magic's Price, Mercedes Lackey&lt;br /&gt;&lt;u&gt;295. The Dancing Wu Li Masters, Gary Zukav&lt;/u&gt;&lt;br /&gt;296. Spirits of Flux and Anchor, Jack L. Chalker&lt;br /&gt;&lt;u&gt;297. Interview with the Vampire, Anne Rice&lt;/u&gt;&lt;br /&gt;298. The Encyclopedia of Unusual Sex Practices, Brenda Love&lt;br /&gt;299. Infinite Jest, David Foster Wallace&lt;br /&gt;300. The Bluest Eye, Toni Morrison&lt;br /&gt;301. The Cider House Rules, John Irving&lt;br /&gt;&lt;u&gt;302. Ender's Game, Orson Scott Card&lt;/u&gt;&lt;br /&gt;303. Girlfriend in a Coma, Douglas Coupland&lt;br /&gt;304. The Lion's Game, Nelson Demille&lt;br /&gt;305. The Sun, The Moon, and the Stars, Stephen Brust&lt;br /&gt;&lt;u&gt;306. Cyteen, C. J. Cherryh&lt;/u&gt;&lt;br /&gt;&lt;u&gt;307. Foucaults Pendulum, Umberto Eco&lt;/u&gt;&lt;br /&gt;&lt;u&gt;308. Cryptonomicon, Neal Stephenson&lt;/u&gt;&lt;br /&gt;309. Invisible Monsters, Chuck Palahniuk&lt;br /&gt;310. Camber of Culdi, Kathryn Kurtz&lt;br /&gt;311. The Fountainhead, Ayn Rand&lt;br /&gt;312. War and Rememberance, Herman Wouk&lt;br /&gt;313. The Art of War, Sun Tzu&lt;br /&gt;&lt;b&gt;314. The Giver, Lois Lowry&lt;/b&gt;&lt;br /&gt;315. The Telling, Ursula Le Guin&lt;br /&gt;316. Xenogenesis (or Liliths Brood), Octavia Butler&lt;br /&gt;317. A Civil Campaign, Lois McMaster Bujold&lt;br /&gt;318. The Curse of Chalion, Lois McMaster Bujold&lt;br /&gt;319. The Aeneid, Publius Vergilius Maro (Virgil)&lt;br /&gt;320. Hanta Yo, Ruth Beebe Hill&lt;br /&gt;&lt;b&gt;21. The Princess Bride, S. Morganstern (or William Goldman)&lt;/b&gt;&lt;br /&gt;&lt;b&gt;322. Beowulf, Anonymous&lt;/b&gt;&lt;br /&gt;323. The Sparrow, Maria Doria Russell&lt;br /&gt;324. Deerskin, Robin McKinley&lt;br /&gt;325. Dragonsong, Anne McCaffrey&lt;br /&gt;326. Passage, Connie Willis&lt;br /&gt;327. Otherland, Tad Williams&lt;br /&gt;328. Tigana, Guy Gavriel Kay&lt;br /&gt;329. Number the Stars, Lois Lowry&lt;br /&gt;&lt;b&gt;330. Beloved, Toni Morrison&lt;/b&gt;&lt;br /&gt;331. Lamb: The Gospel According to Biff, Christ's Childhood Pal, Christopher Moore&lt;br /&gt;332. The Mysterious Disappearance of Leon, I mean Noel, Ellen Raskin&lt;br /&gt;333. Summer Sisters, Judy Blume&lt;br /&gt;334. The Hunchback of Notre Dame, Victor Hugo&lt;br /&gt;335. The Island on Bird Street, URI Orlev&lt;br /&gt;336. Midnight in the Dollhouse, Marjorie Filley Stover&lt;br /&gt;337. The Miracle Worker, William Gibson&lt;br /&gt;338. The Genesis Code, John Case&lt;br /&gt;&lt;u&gt;339. The Strange Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson&lt;/u&gt;&lt;br /&gt;&lt;u&gt;340. Paradise Lost, John Milton&lt;/u&gt;&lt;br /&gt;341. Phantom, Susan Kay&lt;br /&gt;342. The Mummy or Ramses the Damned, Anne Rice&lt;br /&gt;343. Anno Dracula, Kim Newman&lt;br /&gt;344: The Dresden Files: Grave Peril, Jim Butcher&lt;br /&gt;345: Tokyo Suckerpunch, Issac Adamson&lt;br /&gt;346: The Winter of Magics Return, Pamela Service&lt;br /&gt;347: The Oddkins, Dean R. Koontz&lt;br /&gt;348. My Name is Asher Lev, Chaim Potok&lt;br /&gt;349. The Last Goodbye, Raymond Chandler&lt;br /&gt;350. At Swim, Two Boys, Jaime ONeill&lt;br /&gt;&lt;b&gt;351. Othello, by William Shakespeare&lt;/b&gt;&lt;br /&gt;352. The Collected Poems of Dylan Thomas&lt;br /&gt;353. The Collected Poems of William Butler Yeats&lt;br /&gt;354. Sati, Christopher Pike&lt;br /&gt;&lt;u&gt;355. The Inferno, Dante&lt;/u&gt;&lt;br /&gt;&lt;b&gt;356. The Apology, Plato&lt;/b&gt;&lt;br /&gt;357. The Small Rain, Madeline L'Engle&lt;br /&gt;358. The Man Who Tasted Shapes, Richard E Cytowick&lt;br /&gt;359. 5 Novels, Daniel Pinkwater&lt;br /&gt;360. The Sevenwaters Trilogy, Juliet Marillier&lt;br /&gt;361. Girl with a Pearl Earring, Tracy Chevalier&lt;br /&gt;&lt;u&gt;362. To the Lighthouse, Virginia Woolf&lt;/u&gt;&lt;br /&gt;363. Our Town, Thorton Wilder&lt;br /&gt;364. Green Grass Running Water, Thomas King&lt;br /&gt;335. The Interpreter, Suzanne Glass&lt;br /&gt;336. The Moor's Last Sigh, Salman Rushdie&lt;br /&gt;337. The Mother Tongue, Bill Bryson&lt;br /&gt;338. A Passage to India, E.M. Forster&lt;br /&gt;&lt;b&gt;339. The Perks of Being a Wallflower, Stephen Chbosky&lt;/b&gt;&lt;br /&gt;340. The Phantom of the Opera, Gaston Leroux&lt;br /&gt;341. Pages for You, Sylvia Brownrigg&lt;br /&gt;342. The Changeover, Margaret Mahy&lt;br /&gt;343. Howl's Moving Castle, Diana Wynne Jones&lt;br /&gt;344. Angels and Demons, Dan Brown&lt;br /&gt;345. Johnny Got His Gun, Dalton Trumbo&lt;br /&gt;346. Shosha, Isaac Bashevis Singer&lt;br /&gt;347. Travels With Charley, John Steinbeck&lt;br /&gt;348. The Diving-Bell and the Butterfly by Jean-Dominique Bauby&lt;br /&gt;349. The Lunatic at Large by J. Storer Clouston&lt;br /&gt;350. Time for Bed by David Baddiel&lt;br /&gt;351. Barrayar by Lois McMaster Bujold&lt;br /&gt;352. Quite Ugly One Morning by Christopher Brookmyre&lt;br /&gt;353. The Bloody Sun by Marion Zimmer Bradley&lt;br /&gt;354. Sewer, Gas, and Electric by Matt Ruff&lt;br /&gt;355. Jhereg by Steven Brust&lt;br /&gt;356. So You Want To Be A Wizard by Diane Duane&lt;br /&gt;357. Perdido Street Station, China Mieville&lt;br /&gt;358. The Tenant of Wildfell Hall, Anne Bronte&lt;br /&gt;359. Road-side Dog, Czeslaw Milosz&lt;br /&gt;360. The English Patient, Michael Ondaatje&lt;br /&gt;&lt;u&gt;361. Neuromancer, William Gibson&lt;/u&gt;&lt;br /&gt;362. The Epistemology of the Closet, Eve Kosofsky Sedgwick&lt;br /&gt;&lt;u&gt;363. A Canticle for Liebowitz, Walter M. Miller, Jr&lt;/u&gt;&lt;br /&gt;364. The Mask of Apollo, Mary Renault&lt;br /&gt;&lt;b&gt;365. The Gunslinger, Stephen King&lt;/b&gt;&lt;br /&gt;&lt;b&gt;366. Romeo and Juliet, William Shakespeare&lt;/b&gt;&lt;br /&gt;367. Childhood's End, Arthur C. Clarke&lt;br /&gt;&lt;b&gt;368. Season of Mists, Neil Gaiman&lt;/b&gt;&lt;br /&gt;369. Ivanhoe, Walter Scott&lt;br /&gt;370. The God Boy, Ian Cross&lt;br /&gt;371. The Beekeeper's Apprentice, Laurie R. King&lt;br /&gt;372. Finn Family Moomintroll, Tove Jansson&lt;br /&gt;&lt;b&gt;373. Misery, Stephen King&lt;/b&gt;&lt;br /&gt;374. Tipping the Velvet, Sarah Waters&lt;br /&gt;375. Hood, Emma Donoghue&lt;br /&gt;376. The Land of Spices, Kate O'Brien&lt;br /&gt;&lt;i&gt;377. The Diary of Anne Frank&lt;/i&gt;&lt;br /&gt;378. Regeneration, Pat Barker&lt;br /&gt;379. Tender is the Night, F. Scott Fitzgerald&lt;br /&gt;&lt;u&gt;380. Dreaming in Cuban, Cristina Garcia&lt;/u&gt;&lt;br /&gt;381. A Farewell to Arms, Ernest Hemingway&lt;br /&gt;382. The View from Saturday, E.L. Konigsburg&lt;br /&gt;383. Dealing with Dragons, Patricia Wrede&lt;br /&gt;&lt;b&gt;384. Eats, Shoots &amp; Leaves, Lynne Truss&lt;/b&gt;&lt;br /&gt;385. A Severed Wasp - Madeleine L'Eengle&lt;br /&gt;386. Here Be Dragons - Sharon Kay Penman&lt;br /&gt;387. The Mabinogion (Ancient Welsh Tales) - translated by Lady Charlotte E. Guest&lt;br /&gt;&lt;b&gt;388. The DaVinci Code - Dan Brown&lt;/b&gt;&lt;br /&gt;389. Desire of the Everlasting Hills - Thomas Cahill&lt;br /&gt;390. The Cloister Walk - Kathleen Norris&lt;br /&gt;391. The Things They Carried, Tim O'Brien&lt;br /&gt;392. I Know This Much Is True, Wally Lamb&lt;br /&gt;393. Choke, Chuck Palahniuk&lt;br /&gt;394. Ender's Shadow, Orson Scott Card&lt;br /&gt;395. The Memory of Earth, Orson Scott Card&lt;br /&gt;396. The Iron Tower, Dennis L. McKiernen&lt;br /&gt;&lt;u&gt;397. Atlas Shrugged, Ayn Rand&lt;/u&gt;&lt;br /&gt;398. A Ring of Endless Light, Madeline L'Engle&lt;br /&gt;399. Lords of Discipline, Pat Conroy&lt;br /&gt;400. Hyperion, Dan Simmons&lt;br /&gt;401. If Nobody Speaks of Remarkable Things, Jon McGregor&lt;br /&gt;402. The Bridge, Iain Banks&lt;br /&gt;403. How to Be Good, Nick Hornby&lt;br /&gt;404. The Stone Diaries, Carol Shields&lt;br /&gt;405. A Map of the World, Jane Hamilton&lt;br /&gt;&lt;u&gt;406. Eragon, Christopher Paolini&lt;/u&gt;&lt;br /&gt;&lt;b&gt;407. A Series of Unfortunate Events, Lemony Snicket&lt;/b&gt;&lt;br /&gt;408. Lullaby, Chuck Palahniuk&lt;br /&gt;409. Veronika Decides to Die, Paulo Coelho&lt;br /&gt;410. White Oleander, Janet Fitch&lt;br /&gt;411. The Land of Laughs, Jonathan Carroll&lt;br /&gt;412. Forrest Gump&lt;br /&gt;413. Roots, Alex Haley&lt;br /&gt;414. Kleopatra, Karen Essex&lt;br /&gt;&lt;b&gt;415. Confessions of an Ugly Stepsister, Gregory Maguire&lt;/b&gt;&lt;br /&gt;416. The Psycho-Ex Game, Merrill Markoe, Andy Prieboy&lt;br /&gt;417. Digital Fortress, Dan Brown&lt;br /&gt;418. Deception Point, Dan Brown&lt;br /&gt;419. Bookends, Jane Green&lt;br /&gt;420. Little Men, Louisa May Alcott&lt;br /&gt;421. Vectors, Michael P. Kube-Mcdowell&lt;br /&gt;422. Redwall, Brian Jacques&lt;br /&gt;423. Millennium, Felipe Fernàndez-Armesto&lt;br /&gt;424. Disgrace, J.M.Coetzee&lt;br /&gt;425. Shardik, Richard Adams&lt;br /&gt;&lt;b&gt;426. Tehanu, Ursula Le Guin&lt;/b&gt;&lt;br /&gt;427. Z - A Love Story, Vigdis Grimsdottir&lt;br /&gt;428. Diary, Chuck Palahniuk&lt;br /&gt;&lt;u&gt;429. Don Quixote I, Cervantes&lt;/u&gt;&lt;br /&gt;430. Season in hell, Arthur Rimbaud&lt;br /&gt;&lt;b&gt;431. Collected poems, Anna Akhmatova&lt;/b&gt;&lt;br /&gt;432. Breath, eyes, memory, Edwidge Danticat&lt;br /&gt;&lt;u&gt;433. The Satanic Verses, Salman Rushdie&lt;/u&gt;&lt;br /&gt;434. The Gospel According to Jesus Christ, José Saramago&lt;br /&gt;435. Not Before Sundown (or Troll - A Love Story), Johanna Sinisalo&lt;br /&gt;436. Hannibal, Thomas Harris&lt;br /&gt;437. The Iron Dragon's Daughter, Michael Swanwick&lt;br /&gt;438. A Game of Thrones, George R.R. Martin&lt;br /&gt;439. The Ballad of Reading Gaol, Oscar Wilde&lt;br /&gt;&lt;u&gt;440. The Universe in a Nutshell, Stephen Hawking&lt;/u&gt;&lt;br /&gt;441. Complicity, Iain Banks&lt;br /&gt;442. Never Let Me Go, Kazuo Ishiguro&lt;br /&gt;443. The Bane Of The Black Sword, Micheal Moorcock&lt;br /&gt;444. Angela's Ashes, Frank McCourt&lt;br /&gt;445. Delta Of Venus, Anais Nin&lt;br /&gt;446. Lost souls, Poppy Z Brite&lt;br /&gt;447. Belle de jour diary of a london call girl&lt;br /&gt;&lt;b&gt;448. Neverwhere - Neil Gaiman&lt;/b&gt;&lt;br /&gt;449. City, Alessandro Baricco&lt;br /&gt;450. Hippopotamus, Stephen Fry&lt;br /&gt;451. Thank you, Jeeves, PG Wodehouse&lt;br /&gt;452. Tout à l'Ego (Everything for Ego), Tonino Benacquista&lt;br /&gt;453. Betty Blue, Philippe Djian&lt;br /&gt;454. Naive.Super, Erlend Loe&lt;br /&gt;455. Everything is Illuminated, Jonathan Safran Foer&lt;br /&gt;&lt;u&gt;456. Faust, Johann Wolfgang von Goethe&lt;/u&gt;&lt;br /&gt;457. Krabat, Otfried Preußler&lt;br /&gt;458. Lieutenant Hornblower, C. S. Forester&lt;br /&gt;459. The Importance of Being Earnest, Oscar Wilde&lt;br /&gt;460. Drawing Blood, Poppy Z. Brite&lt;br /&gt;461. Lady Chatterley's Lover, D. H. Lawrence&lt;br /&gt;462. The Bounty, Caroline Alexander&lt;br /&gt;463. The Matarese Circle, by Robert Ludlum&lt;br /&gt;&lt;b&gt;464. Coraline, by Neil Gaiman&lt;/b&gt;&lt;br /&gt;465. Searching for Dragons, Patricia C Wrede&lt;br /&gt;466. The Long Dark Teatime of the Soul, Douglas Adams&lt;br /&gt;467. The Flanders Panel Arturo Pérez-Reverte&lt;br /&gt;468. This Alien Shore, C. S. Friedman&lt;br /&gt;469. Beauty , Robin McKinley&lt;br /&gt;470. The Eight, Katherine Neville&lt;br /&gt;&lt;b&gt;471. Harry Potter and the Half-Blood Prince, J.K. Rowling&lt;/b&gt;&lt;br /&gt;472. In this House of Brede, Rumer Godden&lt;br /&gt;473. The Abolition of Man, C.S. Lewis&lt;br /&gt;474. Reginald, H.H. Munro (Saki)&lt;br /&gt;475. Queen Lucia, E.F. Benson&lt;br /&gt;476. A Shadow On The Glass, Ian Irvine&lt;br /&gt;477. The Remains of the Day, Kazuo Ishiguro&lt;br /&gt;478. Obernewtyn, Isobelle Carmody&lt;br /&gt;479. The Ancient Future, Traci Harding&lt;br /&gt;480. The Surgeon, Tess Gerritse&lt;br /&gt;481. Blindness, Jose Saramago&lt;br /&gt;&lt;b&gt;482. The Quiet American, Graham Greene&lt;/b&gt;&lt;br /&gt;483. Portrait in Sepia, Isabelle Allende&lt;br /&gt;484. Middlesex, Jeffrey Eugenides&lt;br /&gt;485. I, Claudius, Robert Graves&lt;br /&gt;486. A Clash of Kings, George R. R. Martin&lt;br /&gt;487. Sammy's Hill, Kristin Gore&lt;br /&gt;488. The Ordinary Princess, M.M. Kaye&lt;br /&gt;489. To Say Nothing of the Dog, Connie Willis&lt;br /&gt;490. Miss Manners Rescues Civilization, Judith Martin&lt;br /&gt;&lt;b&gt;491. Mythology, Edith Hamilton&lt;/b&gt;&lt;br /&gt;492. Danse Macabre, Stephen King&lt;br /&gt;493. Where Late The Sweet Birds Sang, Kate Wilhelm&lt;br /&gt;494. Nancy Drew - The Secret of the Old Clock, by Carolyn Keene&lt;br /&gt;495. Behind the Attic Wall, by Sylvia Cassidy&lt;br /&gt;496. Mirror Dance, Lois McMaster Bujold&lt;br /&gt;497. Beggars In Spain, Nancy Kress&lt;br /&gt;498. Darwin's Radio, Greg Bear&lt;br /&gt;499. The Last Don, Mario Puzo&lt;br /&gt;500. Sharpe's Rifles, Bernard Cornwall&lt;br /&gt;501. Sharpe's Waterloo, Bernard Conrwall&lt;br /&gt;&lt;u&gt;502. Freakonomics, Steven D. Levitt and Stephen J. Dubner&lt;/u&gt;&lt;br /&gt;&lt;u&gt;503. Me Talk Pretty One Day, David Sedaris&lt;/u&gt;&lt;br /&gt;&lt;b&gt;504. The Social Contract, by Jean Jacques Rousseau&lt;/b&gt;&lt;br /&gt;505. A Clockwork Orange, Anthony Burgess&lt;br /&gt;506. The Curious Incident of the Dog in the Night-Time, Mark Haddon&lt;br /&gt;&lt;u&gt;507. Transparent Things, Vladmir Nabokov&lt;/u&gt;&lt;br /&gt;508. People Of The Lightning, W. Michael Gear and Kathleen O'Neal Gear&lt;br /&gt;509. The Neutronium Alchemist, Peter F. Hamilton&lt;br /&gt;510. Society Of The Mind, Eric L. Harry&lt;br /&gt;513. Swell Foop, Piers Anthony&lt;br /&gt;514. Hidden Empire (The Saga of Seven Suns), Kevin J. Anderson&lt;br /&gt;515. Daughter of the Empire, Raymond E. Feist and Janny Wurts&lt;br /&gt;516. The Twelve Caesars - Suetonius&lt;br /&gt;517. Farmer Giles of Ham - JRR Tolkien&lt;br /&gt;518. Slaughterhouse 5 - Kurt Vonnegut&lt;br /&gt;519. Under Western Eyes - Joseph Conrad&lt;br /&gt;520. The Turn of the Screw - Henry James&lt;br /&gt;521. LA Confidential - James Ellroy&lt;br /&gt;523. The Three Musketeers, by Alexandre Dumas&lt;br /&gt;524. Magick in Theory and Practice, by Aleister Crowley&lt;br /&gt;525. The Complete Plays of Christopher Marlowe&lt;br /&gt;526. Practical Magic, Alice Hoffman&lt;br /&gt;527. Basket Case, Carl Hiassen&lt;br /&gt;528. Sex, Drugs, and Cocoa Puffs, Chuck Klosterman&lt;br /&gt;529. The Boxcar Children by Gertrude Chandler Warner&lt;br /&gt;530. Coinlocker Babies by Ryu Murakami&lt;br /&gt;531. Maniac McGee by Jerry Spinelli&lt;br /&gt;532. A Solitary Blue by Cynthoia Voight&lt;br /&gt;533. The Temple of the Golden Pavilion by Yukio Mishima&lt;br /&gt;534. My Brother Sam Is Dead by James Lincoln Collier&lt;br /&gt;&lt;b&gt;535. The Deptford Trilogy by Robertson Davies&lt;/b&gt;&lt;br /&gt;&lt;b&gt;536. The wisdom of crowds by James Surowiecki&lt;/b&gt;&lt;br /&gt;&lt;b&gt;537. Tao Te Ching by Lao Tsu&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Current book:&lt;/b&gt; Still on &lt;i&gt;Mere Christianity&lt;/i&gt;.  Damn schoolwork!</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:6920</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/6920.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=6920"/>
    <title>Once again, Scalia disappoints</title>
    <published>2006-01-17T15:42:19Z</published>
    <updated>2006-01-17T15:44:14Z</updated>
    <category term="physician-assisted suicide"/>
    <category term="supreme court"/>
    <content type="html">Some of you may remember that the venerable Justice Scalia came to speak at Lewis &amp; Clark (followed shortly after by Michael Moore) a few years ago.  During his speech in which he defended his strict constructionist views, he said that if people wanted rights, the people should write and pass bills to ensure them.  This prompted one audience member to comment that Oregon's physician-assisted suicide law fits that standard precisely.  Scalia agreed that the PAS measure was the proper protocol for ensuring rights.&lt;br /&gt;&lt;br /&gt;He agreed, that is, up until &lt;b&gt;&lt;a href="http://nytimes.com/aponline/national/AP-Scotus-Assisted-Suicide.html?hp&amp;amp;ex=1137560400&amp;amp;en=0cc5bed85f2ef9ec&amp;amp;ei=5094&amp;amp;partner=homepage" target="_blank"&gt;he actually had to vote on the issue&lt;/a&gt;&lt;/b&gt;.&lt;br /&gt;&lt;br /&gt;Way for consistency.&lt;br /&gt;&lt;br /&gt;And while I'm at it, what a disappointing start for Roberts.  With Alito in there, too, we'll have a lovely cabal of literalists.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:6717</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/6717.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=6717"/>
    <title>Shameful music confessional: A country music apologia</title>
    <published>2006-01-10T02:09:56Z</published>
    <updated>2006-01-10T02:13:17Z</updated>
    <category term="country music"/>
    <content type="html">I admit it: I enjoy country music.&amp;nbsp; I say this having done much soul-searching, deep consideration, and other such nonsense.&amp;nbsp; Jamie converted me.&lt;br /&gt;&lt;br /&gt;However, previously having been adamantly opposed to the lot, I feel it necesary to defend my position.&amp;nbsp; So here you have it, folks: reasons why country music is great.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;&lt;br /&gt;This is perhaps my most important criterion.&amp;nbsp; I know of few, if any, styles of music that can make fun of themselves quite as well or often as country.&amp;nbsp; With other genres, it takes someone like Weird Al to properly make fun of their style, lyrics, subject matter, etc., and this is despite the fact that most types of music have plenty to laugh about, such as the almost preteniously-serious alternative (see: Lmp Bizkit).&amp;nbsp; However, country manages to pull of songs that make fun of itself, and it makes fun of itself in a way that even people who hate country can't beat.&amp;nbsp; Some examples:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.lyricstop.com/s/saveahorserideacowboy-bigrich.html" target="_blank"&gt;Save a horse (ride a cowboy)&lt;/a&gt; by Big &amp; Rich&lt;br /&gt;&lt;a href="http://www.planetgarth.com/lyrics/friends_in_low_places.shtml" target="_blank"&gt;Friends in low places&lt;/a&gt; by Garth Brooks (definitely a classic)&lt;br /&gt;&lt;a href="http://www.lyred.com/lyrics/Chris+Cagle/Chris+Cagle/Chicks+Dig+It/" target="_blank"&gt;Chicks dig it&lt;/a&gt; by Chris Cagle&lt;br /&gt;&lt;a href="http://www.lyricscafe.com/c/chesney_kenny/kc51.html" target="_blank"&gt;She thinks my tractor's sexy&lt;/a&gt; by Kenny Chesney (my personal favorite)&lt;br /&gt;&lt;a href="http://www.lyricsandsongs.com/song/51821.html" target="_blank"&gt;Do you want fries with that?&lt;/a&gt; by Tim McGraw&lt;br /&gt;&lt;a href="http://www.cowboylyrics.com/lyrics/paisley-brad/alcohol-15776.html" target="_blank"&gt;Alcohol&lt;/a&gt; by Brad Paisley&lt;br /&gt;&lt;a href="http://www.countrygoldusa.com/all_my_exes.asp" target="_blank"&gt;All my exes live in Texas&lt;/a&gt; by George Strait&lt;br /&gt;&lt;a href="http://www.countrylyrics.circularmoney.com/gretchenwilsonredneckwoman.html" target="_blank"&gt;Redneck woman&lt;/a&gt; by Gretchen Wilson&lt;br /&gt;&lt;br /&gt;There are more, but I'm sure you get the point.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid2"&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.keithurbanfans.com/layoutimages/mainphoto3.jpg"&gt;&lt;br /&gt;&lt;br /&gt;He is one hot Aussie!&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid3"&gt;&lt;/a&gt;&lt;br /&gt;The country genre has attracted some absolutely amazing vocalists, primarily female.&amp;nbsp; While there are certainly strong singers in every genre, country particularly seems to highlight their vocal talent.&amp;nbsp; Some examples:&lt;br /&gt;&lt;br /&gt;Garth Brooks&lt;br /&gt;Alan Jackson&lt;br /&gt;Alison Krauss&lt;br /&gt;Natalie Maines&lt;br /&gt;Jennifer Nettles&lt;br /&gt;Joe Nichols&lt;br /&gt;Leann Rimes&lt;br /&gt;George Strait&lt;br /&gt;Rhonda Vincent&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid4"&gt;&lt;/a&gt;&lt;br /&gt;Some country music is just so classic as to have become an essential part of the American music history.&amp;nbsp; Some examples:&lt;br /&gt;&lt;br /&gt;Margaritaville by Jimmy Buffett&lt;br /&gt;I walk the line by Johnny Cash&lt;br /&gt;Devil went down to Georgia by the Charlie Daniels Band&lt;br /&gt;Blue by Patsy Cline&lt;br /&gt;Crazy by Patsy Cline&lt;br /&gt;On the road again by Willie Nelson&lt;br /&gt;Pnocho and Lefty by Willie Nelson&lt;br /&gt;&lt;br /&gt;I'm missing tons, of course, but there's a sampling.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid5"&gt;&lt;/a&gt;&lt;br /&gt;Some country songs are simply very touching or beautifully expressed.&amp;nbsp; Others express setiments not often heard in other genres.&amp;nbsp; Some examples:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.lyricsxp.com/lyrics/g/goodbye_earl_dixie_chicks.html" target="_blank"&gt;Goodbye Earl&lt;/a&gt; by the Dixie Chicks&lt;br /&gt;An entertaining, empowering song about, of all thngs, domestic violence.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://members.aol.com/cyberlyric/chicks.html#soldier" target="_blank"&gt;Travelin' soldier&lt;/a&gt; by the Dixie Chicks&lt;br /&gt;A poignant story about a boy who goes off to war and the girl he leaves behind.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.lyrics007.com/Alison%20Krauss%20Lyrics/When%20You%20Say%20Nothing%20At%20All%20Lyrics.html" target="_blank"&gt;When you say nothing at all&lt;/a&gt; by Alson Kraus&lt;br /&gt;One of the most gorgeous, heartfelt love songs that I've ever heard.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.lyricsondemand.com/j/joenicholslyrics/sheonlysmokeswhenshedrinkslyrics.html" target="_blank"&gt;She only smokes when she drinks&lt;/a&gt; by Joe Nichols&lt;br /&gt;A beautiful, compelling description of how heartache affects a person.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.poplyrics.net/waiguo/country/bradpaisley/027.htm" target="_blank"&gt;Whiskey lullaby&lt;/a&gt; by Brad Paisley and Alison Krauss&lt;br /&gt;This is quite simply one of the most beautiful, poignant duets I have ever heard.&amp;nbsp; Absolutely stunning!&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.lyricsandsongs.com/song/476909.html" target="_blank"&gt;She let herself go&lt;/a&gt; by George Strait&lt;br /&gt;A song about what happens when a woman is released from the bonds in which love placed her.&lt;br /&gt;&lt;br /&gt;And there are lots of others, of course&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;This is not to say that country music isn't without its problems.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid6"&gt;&lt;/a&gt;&lt;br /&gt;Some people might say these songs are beautiful.&amp;nbsp; I say they're cheese to the max.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.zenlyrics.com/Martina+Mcbride/God%27s+Will/showlyric/searchid/98696/" target="_blank"&gt;God's Will&lt;/a&gt; by Martina McBride (or really almost anything else by her)&lt;br /&gt;&lt;a href="http://www.search4lyric.com/view-skin-rascal-flatts.html" target="_blank"&gt;Skin&lt;/a&gt; by Rascal Flatts (or really almost anything else by them)&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid7"&gt;&lt;/a&gt;&lt;br /&gt;Yah America!&amp;nbsp; Or at least that's what lots of country artists say.&amp;nbsp; And it gets lame right quick.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.lyricsondemand.com/t/tobykeithlyrics/courtesyoftheredwhiteandbluetheangryamericanlyrics.html" target="_blank"&gt;Courtesy of the red, white, and blue (the angry American)&lt;/a&gt; by Toby Keith (Believe me, this is sufficient to prove my case)&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid8"&gt;&lt;/a&gt;&lt;br /&gt;For god and country.&amp;nbsp; Oy vei!&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.reallyrics.com/lyrics%5CC028300010006.asp" target="_blank"&gt;Jesus take the wheel&lt;/a&gt; by Carrie Underwood&lt;br /&gt;&lt;br /&gt;There are lots of others.&amp;nbsp; I just can't think of them at the moment because I try to avoid them.&lt;br /&gt;&lt;br /&gt;No, but seriously, I do enjoy country music.&amp;nbsp; It's especially great if you like steel guitars, banjos, and mandolins.&amp;nbsp; Try it.&amp;nbsp; You might like it, like me!&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Current Book:&lt;/b&gt; &lt;i&gt;A guide to benefit-cost analysis&lt;/i&gt;, 2nd ed., by Edward M. Gramlich.&amp;nbsp; Back to schoolwork (sigh).&amp;nbsp; But this is a pretty interesting book, a cornerstone of policy analysis that we're reading for our microeconomics class.&amp;nbsp; It should be interesting.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:6491</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/6491.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=6491"/>
    <title>Of “Information professionals” and policy wonks</title>
    <published>2006-01-02T15:35:28Z</published>
    <updated>2006-01-02T15:35:28Z</updated>
    <content type="html">I did in fact come to Ann Arbor to attend school, believe it or not.&amp;nbsp; I study at the &lt;a href="http://si.umich.edu/" target="_blank"&gt;School of Information&lt;/a&gt; and the &lt;a href="http://fordschool.umich.edu/" target="_blank"&gt;Gerald R. Ford School of Public Policy&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;Naturally, being a dual degree student, I get TONS of email, approximately two or three million messages daily from each school, to be exact.&amp;nbsp; Having only one email, it can be confusing to tell from which school a particular message hails.&amp;nbsp; However, with a semester under my belt, I have created a rough mental flowchart that helps me determine the source of a message:&lt;br /&gt;&lt;br /&gt;City Council candidates – Ford School&lt;br /&gt;Poverty – Ford School&lt;br /&gt;iPods – School of Info&lt;br /&gt;Football – Ford School&lt;br /&gt;Anything to do with Google – School of Info&lt;br /&gt;V1agr.@ - School of Info&lt;br /&gt;&lt;br /&gt;Yes, folks, The University of Michigan School of Info - the cream of the crop of the information profession, one of the top-ranked information schools in the country, a place filled with technology junkies of all sorts – cannot filter spam out its school-wide listserv.&amp;nbsp; Technology is so grand.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid2"&gt;&lt;/a&gt;No, but seriously, things are going quite well.&amp;nbsp; Among other things, my leg muscles are huge!&amp;nbsp; In addition to living in a third floor apartment, both of my schools are on the fourth floors of their respective building.&amp;nbsp; This fact, combining with my frantic biking to campus on a daily basis, often in the snow (I’ll have stories to tell my grandchildren: “I used to bike a mile and half in the snow!”), has given me legs of steel.&lt;br /&gt;&lt;br /&gt;Oh, and the classes are good, too.&amp;nbsp; Here’s what I had last semester (which is blessedly over now!):&lt;br /&gt;&lt;br /&gt;Pubpol 513: Calculus&lt;br /&gt;Pubpol 555: Microeconomics A&lt;br /&gt;Pubpol 580: Values, Ethics, and Public Policy&lt;br /&gt;SI 501: Uses of information&lt;br /&gt;&lt;br /&gt;This schedule gave me decidedly more number crunching than the average Info student and decidedly more advertisements for Macintoshes than the average Policy student.&amp;nbsp; I have come to the conclusion that the School of Info is, in fact, one big Apple advertisement.&amp;nbsp; Looking at the back row of chairs in the SI 501 class, and what should one see but a shiny row an Apple iBooks.&amp;nbsp; And iPods?&amp;nbsp; Ubiquitous.&amp;nbsp; The School of Info has made me inclined towards Windows; it makes me counterculture there.&amp;nbsp; How weird is that?&lt;br /&gt;&lt;br /&gt;The programs are both actually quite good, with some caveats that I suspect are common to any sort of professional masters degree programs: they don’t actually teach you practical skills to do your job.&amp;nbsp; For instance, while SI 501 is fascinating, and the information I’m learning is vaguely applicable to librarianship in that academic sort of way, I am glad that I came to UM with some library experience already under my belt.&amp;nbsp; From taking the class, I have concluded that I could never be an information scientist; they’re far too unconcerned about the practicality of their research.&lt;br /&gt;&lt;br /&gt;The class had a very interesting component to it, however.&amp;nbsp; We were assigned into groups and have to do a huge project analyzing information flow in an organization.&amp;nbsp; The exact nature of the project depends on the organization your group selected.&amp;nbsp; We selected a business, &lt;a href="http://edwardsbrothers.com/" target="_blank"&gt;Edwards Brothers&lt;/a&gt;, a book printer.&amp;nbsp; We basically did a workflow analysis and are trying to offer them suggestions to improve their shipping process.&amp;nbsp; It was a pretty interesting project, all things considered.&amp;nbsp; Oh, and we got to learn about all that “working in groups, BS, too, which mainly consisted in me being frustrating that one of our other group members rarely got things in on time.&lt;br /&gt;&lt;br /&gt;Calculus and Microeconomics were pretty much what one would expect.&amp;nbsp; The professors, on the other hand, are not.&amp;nbsp; Our Calculus professor is a rather old, rather tall man who has an odd tendency to start speaking very loudly at random moments in his lectures.&amp;nbsp; He also has the problem of being whiteboard pen inept (You LC folks should now what I’m talking about).&amp;nbsp; The Microecon professor is similarly writing-implement challenged, although his problem is more with chalk.&amp;nbsp; He tries to use different colored chalk to help us see the difference between the various graphs, but for some odd reason the chalk always looks white.&amp;nbsp; He’s not one of the clearest professors I’ve ever had, so I can’t honestly say that I’m disappointed that he’s a visiting professor.&amp;nbsp; Nonetheless, he is entertaining, if not purposely.&lt;br /&gt;&lt;br /&gt;Both schools have great faculty in that they are extremely interdisciplinary.&amp;nbsp; The range of research interests and fields is huge.&amp;nbsp; Alas, however, the School of Information lacks an epistemologist.&amp;nbsp; I’m working on them, though.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid3"&gt;&lt;/a&gt;What I find most fascinating, actually, is the difference between the students.&amp;nbsp; Policy students are, on the whole, much more driven; they tend to know what they want to do with their degrees.&amp;nbsp; It’s also very common for them to be seeking dual degrees.&amp;nbsp; I somewhat stand out in that category, however: I’m currently the only Info/Policy dual degree student.&amp;nbsp; That’s not the only thing that makes me weird, however; my foci do as well.&amp;nbsp; Most Info/Policy dual degree students specialize in Information Economics, Management, and Policy at the School of Information.&amp;nbsp; However, I focus on Library &amp; Information Services, with a focus on Nonprofit and Public Management at the Ford School.&amp;nbsp; This generally draws looks of bewilderment from info students.&lt;br /&gt;&lt;br /&gt;Info students tend to also be much more counterculture, as evidenced by the fact that I can safely assume any email about UM football is from policy students.&amp;nbsp; It is also evidenced by the copious amounts of Apple products.&lt;br /&gt;&lt;br /&gt;All in all, my program’s going really great.&amp;nbsp; I have to admit, though; I’m ready to be working already.&amp;nbsp; I know that I have another two and a half years, but I want to run my own library.&amp;nbsp; Well, someday . ... .&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid4"&gt;&lt;/a&gt;And on the docket for this upcoming term:&lt;br /&gt;&lt;br /&gt;Pubpol 529: Statistics&lt;br /&gt;Pubpol 558: Microeconomics B: Cost-Benefit Analysis&lt;br /&gt;Pubpol 587: Public Management&lt;br /&gt;Pubpol 638: &lt;a href="http://sitemaker.umich.edu/ipe2006" target="_blank"&gt;Integrated Policy Exercise&lt;/a&gt;&lt;br /&gt;Pubpol 671: Policy and Management in the Nonprofit Sector&lt;br /&gt;SI 502: Choice &amp; Learning&lt;br /&gt;&lt;br /&gt;And, as further evidence of my geekhood, I’m excited about this schedule.&amp;nbsp; I think that I’m becoming an econ dork.&amp;nbsp; While I can’t say that I really care for many of the things economic theory is used to justify, I find the theories themselves fascinating.&amp;nbsp; I just provides a different way of looking at the world, which always proves beneficial.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Current Book:&lt;/b&gt; Still on &lt;i&gt;Mere Christianity&lt;/i&gt;.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:6289</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/6289.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=6289"/>
    <title>I don't think we're in Oregon anymore, Miepcat</title>
    <published>2006-01-02T03:23:48Z</published>
    <updated>2006-01-02T03:25:14Z</updated>
    <content type="html">Michigan is most definitely not Oregon.&amp;nbsp; I have come to this conclusion after conducting exhaustive ethnographic research in which I have lived and worked among my subjects, the Michiganders.&amp;nbsp; My research has led me to the following conclusion: Michiganders are nuts.&amp;nbsp; Certifiably nuts.&amp;nbsp; I say this not as a normative comment but as a simple statement of fact.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;First, there is their driving.&amp;nbsp; Weather conditions do not hinder them: rain, snow, plague of locusts, what have you.&amp;nbsp; They continue to drive as quickly as possible, which leads to the prodigious number of accidents on snowy days such as today.&amp;nbsp; Other drivers also do not hinder them?&amp;nbsp; Is there a car approaching quickly down the road that you want to be on?&amp;nbsp; If you’re from Michigan, you’ll just pull out in front of them.&amp;nbsp; They’ll stop!&amp;nbsp; Bikers and pedestrians?&amp;nbsp; Mere nuisances!&amp;nbsp; You should zip past them as soon as they’re a fraction of inch away from your vehicle.&lt;br /&gt;&lt;br /&gt;If it’s any indication of the driving craziness, you are required to carry $1 million of inanimate object damage insurance in Michigan.&amp;nbsp; Yes, that’s right: if you’re crazy driving manages to take you into the side of a building, you’ve got to have insurance to cover it.&lt;br /&gt;&lt;br /&gt;Second, there is their infatuation with the car companies.&amp;nbsp; In the words of one NPR guest, “For Michiganders, the problem at the Big Three is the end of the world.&amp;nbsp; For the rest of the country, it’s business.”&amp;nbsp; People are keenly interested in federal bailouts of GMC and the like and in general will pass almost any law to keep them here.&amp;nbsp; Out of any given year, I would say that probably an entire month of radio time is devoted to talking about the car companies.&amp;nbsp; Among some here, it’s still considered traitorous to drive a foreign vehicle.&lt;br /&gt;&lt;br /&gt;Third, there is their politics.&amp;nbsp; Michigan really wants to be the Montana of the East; they have this libertarian spark that leads them to argue about things such as not having motorcycle helmet laws.&amp;nbsp; However, there’s just one problem: Michigan likes telling people what to do.&amp;nbsp; Needless to say, Michigan laws have a rather intriguing mix.&amp;nbsp; For instance, you are not required to wear a helmet when you ride a motorcycle, but your live-in girlfriend has to leave when your children visit.&amp;nbsp; Ah, libertarian paternalism!&lt;br /&gt;&lt;br /&gt;Fourth, there is beer pong.&amp;nbsp; Beer pong is quite obviously the official sport of Ann Arbor.&amp;nbsp; An old door or sheet of plywood adorns just about every college student house here, simply perfect for playing beer pong.&amp;nbsp; And people play it freely at all hours on their lawns.&amp;nbsp; Are you bored at one in the afternoon?&amp;nbsp; No problem!&amp;nbsp; Just buy some Pabst (which strangely, they consider to be quality beer here) and break out the beer pong table!&lt;br /&gt;&lt;br /&gt;Fifth, there is football.&amp;nbsp; I think I’ve said enough.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid2"&gt;&lt;/a&gt;But really, Ann Arbor is actually a lovely town.&amp;nbsp; Many of the houses (including our own) are late 19th and early 20th century houses that are simply gorgeous.&amp;nbsp; Our neighborhood is beautiful, as are most of the neighborhoods we’ve visited in A2 (as it is affectionately called).&amp;nbsp; It’s a shame that the property is so ridiculously expensive here . . .&lt;br /&gt;&lt;br /&gt;Oh, and did I mention that it snows here?&amp;nbsp; Eight inches last week.&amp;nbsp; We probably got another eight inches just today, too.&amp;nbsp; Michigan makes me very happy that I no longer wear glasses.&amp;nbsp; It has also altered my sense of what constitutes “cold.”&amp;nbsp; When Jamie and I hear on the radio that the high will be in the lower thirties, we comment that it’s going to be warm.&amp;nbsp; The humidity here, or lack thereof as the case may be,&amp;nbsp; is retched, however.&amp;nbsp; It is tremendously dry here.&amp;nbsp; Maybe the ladybugs are moisture vampires or something.&amp;nbsp; Who knows.&amp;nbsp; Regardless, if you visit Michigan, you are hereby warned: bring eyedrops!&lt;br /&gt;&lt;br /&gt;Unlike Portland, Ann Arbor is quite clearly a college town.&amp;nbsp; Oh sure, it has some corporate headquarters (Pfizer, makers of Viagra!&amp;nbsp; Oh, and Dominos Pizza)., but it mainly exists to serve the University of Michigan.&amp;nbsp; As such, Ann Arbor has great social and cultural events (Jamie took me to see Leo Kottke for my birthday.&amp;nbsp; That man is genius, pure genius), good bookstores, a nice selection of stores, no parking whatsoever, and an absolutely terrible layout.&amp;nbsp; Think Eugene minus the protected left turns and generally polite Oregon drivers.&amp;nbsp; Oh, and it has college students who walk into the streets randomly.&lt;br /&gt;&lt;br /&gt;To avoid the driving weirdness, I have been biking everywhere: to school, to work, oftentimes to the grocery store.&amp;nbsp; Biking is interesting in the snow.&amp;nbsp; Well, actually, the snow is not so bad; it’s when it turns to slush that it gets nasty.&amp;nbsp; I’ve managed to kick up enough nasty snow onto my coat to make myself look like a Dalmatian.&amp;nbsp; But biking has its advantages, i.e., I never have to wait 15 minutes to find somewhere to park.&lt;br /&gt;&lt;br /&gt;Speaking of parking, it seems a (continual) rite of passage for Michiganders to receive enough parking tickets to get one’s vehicle impounded.&amp;nbsp; Or at least almost impounded.&amp;nbsp; Since we never really use our vehicle, we have not had this honor.&amp;nbsp; However, it is not uncommon to hear one of my classmates casually mention that s/he has $300-400 in parking tickets.&amp;nbsp; I’m unclear as to why they don’t just pay for the parking outright.&amp;nbsp; Again, Michiganders are crazy.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid3"&gt;&lt;/a&gt;And Michigan’s main problem?&amp;nbsp; It’s Ory-gun, not Ory-gone.&amp;nbsp; Now, repeat after me . . .&lt;br /&gt;&lt;br /&gt;Seriously, though, I do like it here.&amp;nbsp; It’s rather different from Oregon (and New Jersey and Florida), but it is nonetheless an interesting place to live.&amp;nbsp; Living here has made me realize how much I am a creature of the Pacific Northwest, however, Oregon in particular.&amp;nbsp; I find myself saying and thinking “back in Oregon” several times a day.&amp;nbsp; I miss the people of Oregon (both the Portland and Langlois variety), I miss the beach, I miss the spectacular sunsets (although Michigan’s aren’t too shabby, all things considered), and I even miss the rain.&amp;nbsp; Perhaps Jamie and I will end up back in Oregon.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Current book:&lt;/b&gt; &lt;i&gt;Mere Christianity&lt;/i&gt; by C.S. Lewis.&amp;nbsp; I haven't actually started it yet, so I don't have an opinion right now.&amp;nbsp; I figured it's probably something I should read, however, so it's next on the list.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:5895</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/5895.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=5895"/>
    <title>Mawwiage!</title>
    <published>2005-12-31T05:26:15Z</published>
    <updated>2005-12-31T05:27:07Z</updated>
    <category term="wedding"/>
    <content type="html">As I believe most of you already know, I am now a married man.&amp;nbsp; I check “married” on my tax forms.&amp;nbsp; I wear a ring on my finger.&amp;nbsp; I wake up everyday next to the love of my life.&amp;nbsp; I am blissfully happy.&lt;br /&gt;&lt;br /&gt;In case you hadn’t guessed it, I am thoroughly enjoying married life, and I think (hope) I can safely say the same for Jamie.&amp;nbsp; We are comfortably settled into our new apartment (more on that later) with our dear fat, whiny, yet ever-so-lovable child, Miep.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;Our wedding was beautiful.&amp;nbsp; We held it in a state park, Shore Acres, that used to be the estate gardens for one of those logger baron types so common in my dear home state.&amp;nbsp; For all you Clarkies out there, the garden looks not unlike the LC gardens.&lt;br /&gt;&lt;br /&gt;Some of Jamie’s family – her parents, sister, grandmother, aunt and uncle, and uncle – came all the way out from New Jersey for the wedding.&amp;nbsp; All in all, however, it was an intimate affair.&amp;nbsp; We only had about 35 guests.&amp;nbsp; Ironically, the wedding itself was smaller than the engagement party that Jamie’s family threw for us when we visited in New Jersey.&amp;nbsp; We were married by a Unitarian minister who read a ceremony that we pieced together and highly edited.&amp;nbsp; We were photographed by a crazy man with an unnatural ability to properly place wedding dresses.&amp;nbsp; I suppose that comes with having a bazillion years of wedding photography experience.&amp;nbsp; He also made Jamie run through the cold Oregon ocean water.&amp;nbsp; I’m sure that she will be happy to tell you her thoughts on that.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid2"&gt;&lt;/a&gt;The planning process was an interesting one, though not in that “we wanted to kill each other” kind of way common to many weddings.&amp;nbsp; It was more interesting for me because Jamie’s parents were paying for everything.&amp;nbsp; Those of you who know me also know that the deck of life dealt me an Emersonian “pull yourself up by your bootstraps” existence.&amp;nbsp; I have to admit, I found it a tad difficult to get used to the fact that Jamie and I weren’t responsible for ultimately paying for the affair, reconciling it with my general life outlook.&lt;br /&gt;&lt;br /&gt;That being said, we planned the entire event ourselves, and rather cost-efficiently, I might add.&amp;nbsp; Our only “eek” moment was when our caterer’s house burnt down which, needless to say, left us without food.&amp;nbsp; Fortunately, we did find somebody and, more importantly, the caterer is getting her house rebuilt.&lt;br /&gt;&lt;br /&gt;Some of you may be surprised to hear that I had a somewhat traditional wedding.&amp;nbsp; But the planning process (and my wife) taught me the value of tradition, or more specifically, how tradition can enhance an already wonderful event.&amp;nbsp; The vows, the presence of friends and family, the clothes, the exchanging of rings - all of these really came to symbolize the love filling the moments.&amp;nbsp; It was quite beautiful.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid3"&gt;&lt;/a&gt;Married life is also not quite what I expected; it is far better.&amp;nbsp; There are those who say that marriage changes everything.&amp;nbsp; And perhaps for some it did.&amp;nbsp; But I don’t feel that it fundamentally changed Jamie and my relationship.&amp;nbsp; This may sound funny, considering that we just went through a ceremony and the official process to be married.&amp;nbsp; However, it didn’t change the nature of our relationship with each other.&amp;nbsp; We already cared for each other very deeply before being married; the change in status represents our desire to express our commitment to the world.&amp;nbsp; My wedding band reminds me of this fact every time I look at it.&amp;nbsp; Jamie is everything she was to me before a more now: she’s my wife.&lt;br /&gt;&lt;br /&gt;Of course, this status does cause some weirdness, mostly with the rest of the world.&amp;nbsp; For instance, it took me a while to adjust to marking “married” on all of my forms.&amp;nbsp; I can only imagine what Jamie must be going through with a name change.&amp;nbsp; But being married also creates a feeling of being, in Jamie’s words, “old and married”: that simple change in marital status seems to increase your age to the outside world exponentially.&amp;nbsp; Single people look at you differently, it seems.&amp;nbsp; Perhaps it’s just my perception of how they perceive me (ah, self-psychoanalysis), but it certainly feels different.&lt;br /&gt;&lt;br /&gt;Anyway, I’ll stop with my rambling and give you all what you really want: pictures.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid4"&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="http://i3.photobucket.com/albums/y68/jnbnielsen/110555bc.jpg" alt="Image hosted by Photobucket.com"&gt;&lt;br /&gt;Eagerly awaiting a bride&lt;br /&gt;&lt;br /&gt;&lt;img src="http://i3.photobucket.com/albums/y68/jnbnielsen/22f2b202.jpg" alt="Image hosted by Photobucket.com"&gt;&lt;br /&gt;The beautiful bride arrives!&lt;br /&gt;&lt;br /&gt;&lt;img src="http://i3.photobucket.com/albums/y68/jnbnielsen/164a6952.jpg" alt="Image hosted by Photobucket.com"&gt;&lt;br /&gt;Taking our vows&lt;br /&gt;&lt;br /&gt;&lt;img src="http://i3.photobucket.com/albums/y68/jnbnielsen/09da816e.jpg" alt="Image hosted by Photobucket.com"&gt;&lt;br /&gt;Aren't we cute?&lt;br /&gt;&lt;br /&gt;&lt;img src="http://i3.photobucket.com/albums/y68/jnbnielsen/2d545208.jpg" alt="Image hosted by Photobucket.com"&gt;&lt;br /&gt;My personal favorite photo&lt;br /&gt;&lt;br /&gt;&lt;img src="http://i3.photobucket.com/albums/y68/jnbnielsen/7483dcd7.jpg" alt="Image hosted by Photobucket.com"&gt;&lt;br /&gt;Our (very) fat and happy child&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Current Book:&lt;/b&gt; &lt;i&gt;The penultimate peril&lt;/i&gt; by Lemony Snicket, the most recent of &lt;i&gt;A series of unfortunate events&lt;/i&gt;.&amp;nbsp; The man is a riot.&amp;nbsp; I think he channels Roald Dahl or something.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:5847</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/5847.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=5847"/>
    <title>Mobile apartments and other tales of domestic life</title>
    <published>2005-12-22T22:39:26Z</published>
    <updated>2005-12-22T22:39:26Z</updated>
    <category term="cooking"/>
    <category term="michigan life"/>
    <category term="npr"/>
    <content type="html">We arrived here in Ann Arbor to find an absolutely beautiful apartment in quite a nice section of town.  You can actually &lt;a href="http://www.wildprops.com/Ann_Arbor_Apts/Ann_Arbor_One_Bedrooms/1604_Anderson_4/1604_Anderson_4.htm" target="_blank"&gt;look at it&lt;/a&gt;, if you want.  FYI, though: that’s not our stuff in the picture.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;We live on the third floor of a house built back in the 1920s, I believe.  As it so happens, the house is actually mobile – well, somewhat anyway.  Apparently, it used to be downtown (about a mile and a half from where it is now).  The landlord’s grandfather bought it back in the 50s, but he decided he didn’t like its location.  So what did he do?  He moved it.  If that’s not down-home American ingenuity, I don’t know what is?  Don’t like your house’s location?  Then pick the whole thing up and move it wherever you like.  Steve (our landlord) tells us that they had to take down power lines to make it fit through some of the roads.  Go figure.  Apparently our apartment was added on back in the 50s after The Great Move.  &lt;br /&gt;&lt;br /&gt;Anyway, our apartment is quite lovely.  It’s on the third floor, so we get plenty of exercise.  The hardwood floors are a nice touch because our dear sweet Miep cat can’t tear them up bit by bit.  She has, however, adopted the desk chair as her very own.  What once was grey now is coated in a rather thick layer of white cat fur.  I keep telling Miep that one of these days, I’m going to knit a new cat out of all that hair.  I don’t think she believes me, though.&lt;br /&gt;&lt;br /&gt;We have the perfect amount of space for the two of us.  With this perfect amount of space, however, came copious amounts of closet space.  In fact, we have so much closet space that we converted one of them into a pantry and another into a garbage area.  If we lived here for 50 years, I sincerely doubt we could ever use up all of our closets.  It would probably be a great place to play hide-and-seek, though . . .&lt;br /&gt;&lt;br /&gt;Jamie and I are actually vaguely considering buying a house in the area, preferably a duplex where we could have a renter to help us pay the mortgage.  Ann Arbor property prices are ridiculous, but the areas just outside of town are pretty reasonable.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid2"&gt;&lt;/a&gt;I’ve noticed something rather interesting about living in Michigan, though: household pests.  Whereas in Oregon one had problems with spiders and ants, here we have problems with ladybugs.  Well, I shouldn’t really say “problem,” as it’s not really that bad, but nonetheless . . .  We have ladybugs all over our house.  I never really considered them to be an insect one had to worry about getting into your house.  Your garden, perhaps, but not your house.  The ladybugs currently coexist peacefully with the squatters (i.e., us), but I’m just waiting for an uprising.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid3"&gt;&lt;/a&gt;As long as I’m speaking of being domestic, Jamie and I are actually becoming bonafide cooks, preparing actual meals.  We’ve acquired a veritable arsenal of kitchen gadgets, appliances, and spices.  Thus, it’s only a matter of time before you see a Nielsens cooking show . . . OK, maybe not, but we’re having fun nonetheless.  Cooking and eating in general is an absolute joy here because we are less than a mile away from a Trader Joe’s.  Oh joy!  Oh rapture!  There’s nothing quite as exciting as going to buy trail mix and granola and having whole shelving units from which to choose.  The hippy in me rejoices.  Plus, I can buy lots of macadamia nuts to make white chocolate macadamia nut cookies.  Life is good.&lt;br /&gt;&lt;br /&gt;I have also come to an astounding realization: having sharp knives is wonderful.  Thanks to Erin and Raj, we have a shiny new set of knives, and it is oh-so-marvelous.  For instance, we can actually slice tomatoes without smashing them.  We can cut onions without sawing through them.  We don’t have to use a butter knife to cut broccoli.  Yes, life is fabulous in kitchen-land.  And the new crock pot?  Well, that’s just icing on the cake.&lt;br /&gt;&lt;br /&gt;In addition to being kitchen mavens, Jamie and I are also NPR junkies.  This fact undoubtedly puts us in the category of crazy pinko commies and bleeding-heart liberals.  Nonetheless, &lt;a href="http://michiganradio.org/" target="_blank"&gt;Michigan Radio&lt;/a&gt; has something for both the conservative and liberal listener to love, what with Michigan being politically nerurotic.  More on that in a later post.&lt;br /&gt;&lt;br /&gt;If any of you folks care to visit these crazy pinko bleeding-heart Ann Arbor commies, we have a lovely apartment with a lovely futon in which you can crash.&lt;br /&gt;&lt;br /&gt;P.S. Happy holidays! (which, in this age of the "War on Christmas" is not just a greeting but also a political statement!)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Current Book:&lt;/b&gt; &lt;i&gt;The Time Traveler's Wife&lt;/i&gt; by by Audrey Niffenegger, an absolutely fascinating book about just what it says: a woman married to a man who travels through time.  It's really a beautiful love story told through the lens of a science fiction story.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:5531</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/5531.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=5531"/>
    <title>Of laundry, Wall Drug, and desolation</title>
    <published>2005-12-16T01:20:53Z</published>
    <updated>2005-12-16T01:24:20Z</updated>
    <category term="cross-country trips"/>
    <content type="html">Or, The trials and tribulations of Jamie and Buzzy’s cross-country adventure.&lt;br /&gt;&lt;br /&gt;This is the first in a series of very backdated posts demonstrating that I am indeed still alive and just as ornery as ever.  More will follow, eventually.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid1"&gt;&lt;/a&gt;Jamie and I began our journey across the country (i.e. Oregon to Michigan) with a UHaul, a Miep cat, and lots of food.  We ended our journey with a UHaul, a Miep cat, somewhat less food, and a bumper sticker proving that we visited Wall Drug in South Dakota, among other things.&lt;br /&gt;&lt;br /&gt;We did, however, get slightly more out of it than that.  The trip took us about 12 days overall because we really wanted to spend our time and enjoy this beautiful country of ours (no I haven’t gone Republican on you; I’m serious!).  Our first stop was actually visiting Patrick in Vancouver, which was a most-wonderful visit.  Our visit began with a covert operation to smuggle Miep into Patrick’s apartment complex, an operation that resulting in a basket of laundry with quite remarkable mobile qualities.  Anyhoo, our visit with Patrick was quite lovely.&lt;br /&gt;&lt;br /&gt;We decided that we would stay in KOA campgrounds along the way, specifically in the Kamping Kabins&amp;reg (please note the use of the trademarked “K.”  This is very important in distinguishing what we stayed in from mere camping cabins).  While certainly high in the kitsch factor, the KOAs were nice because a) the were relatively cheap, b) they’re pet-friendly, and c) they have hot tubs and pools.  Our first stop was in an Idaho, where we promptly hopped into the hot tub.  We were occasionally joined by some vaguely obnoxious children, but a good time was had by all.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid2"&gt;&lt;/a&gt;Next stop was Montana.  Actually, the next several stops for Montana.  I’m pretty sure that we were in Montana for at least three or four months.  Maybe more.  That state is frickin’ huge.  First, some general observations about Montana:&lt;br /&gt;&lt;br /&gt;A) There seems to be a reason why Montana is called “big sky country” – the sky is indeed rather huge there.  Huge, but beautiful.&lt;br /&gt;&lt;br /&gt;B) Montanans, along with what little we heard from Wyomingites (I looked this term up to make sure that it’s correct.  Here, &lt;a href="http://www.infoplease.com/ipa/A0855542.html&amp;quot;" target="_blank"&gt;see for yourself&lt;/a&gt;), seem to have an inordinate fondness for Garth Brooks (I mean, who doesn’t?) and the song &lt;a href="http://www.cowboylyrics.com/lyrics/neal-mccoy/billys-got-his-beer-goggles-on-15756.html" target="_blank"&gt;“Billy’s got his beer goggles on.”&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;C) And I thought that Oregonians were crazy libertarians!  Sheesh, you can do anything in Montana!&lt;br /&gt;&lt;br /&gt;C1) Along with the ability to do anything comes a price.  Montana has TONS of markers in memory of people who died in alcohol-related crashes.&lt;br /&gt;&lt;br /&gt;D) Montana is quite gorgeous.  It was probably my favourite state that we visited in terms of its pure beauty.&lt;br /&gt;&lt;br /&gt;Our first significant stop was unscheduled but quite a surprise.  Simon was visiting his parents in Missoula!  And Abby was there, too!  We stayed with Simon and had quite a lovely time.  Missoula was a great town.  And we got to visit Tipu’s Tiger, the fabulous Indian food restaurant at which Simon used to work and his brother does now.  Mmm, Indian food.&lt;br /&gt;&lt;br /&gt;After Missoula, we went up to visit Glacier National Park.  The park itself, while beautiful, sucked for us.  We couldn’t go anywhere because we had our UHaul.  Plus, the area of it to which we were restricted seemed really commercialized.  We stayed around for a bit, but we eventually decided to go back to our KOA.  While at this particular KOA, I had the distinct honor of overhearing three teenagers doing their laundry:&lt;br /&gt;&lt;br /&gt;T1: This doesn’t seem to be working.  It’s not washing.&lt;br /&gt;T2 (grabbing the detergent box from T1): Well duh!  You just put the soap in and it washes stuff!&lt;br /&gt;T2 (pushing the coin acceptor in and out): it’s still not working!&lt;br /&gt;Other Kamper&amp;reg : The machine takes 5 quarters, honeys, not 3.&lt;br /&gt;All: Oh!&lt;br /&gt;&lt;br /&gt;Later on, Jamie and I came back in to pick up our laundry only to find the three girls sitting with their feet in the sink eating ice cream.  “Our feet were cold” they told us.  We did not wash any of our clothes in that sink.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid3"&gt;&lt;/a&gt;Given our tepid visit to Glacier, we decided to skip our previously-scheduled visit to Yellowstone and instead spend lots of time in the great state of South Dakota!  Actually, S.D. was one of my favorite places that we visited.  Because we got to visit the Badlands.  I found the Badlands absolutely fascinating.  Whereas parks like Glacier and the parks I used to visit in Oregon were beautiful for their trees and lakes and such, the Badlands was beautiful in its desolation.  While barren, it exuded a certain majesty in that barrenness.  The Badlands was also interesting in that we could go anywhere that we wanted; no part of the park was restricted.  In fact, there’s a southern part of it that separated from the rest of the park that people can hike through despite the presence of &lt;a href="http://www.nwo.usace.army.mil/html/pm-hc/badlands.htm" target="_blank"&gt;unused ordnance&lt;/a&gt;.  There’s a big warning about it to hikers: do not use cellular phones as they may cause set off the ordnance.  Not that there are cell phone towers in the boonies of South Dakota, but the warning is nonetheless appreciated.&lt;br /&gt;&lt;br /&gt;On our way back from Badlands, we managed to run into the infamous Wall Drug, a veritable smorgasbord of kitschiness.  Giant dinosaur statues!  Fake cowboys!  Rock shops!  Children galore!  And Jamie got food poisoning there, too!  But hey, at least we got our free bumper sticker, right?&lt;br /&gt;&lt;br /&gt;We also visited Deadwood, which was kitsch combined with lots of casinos.  It was actually really interesting there.  It’s a shame that the town has become so commercialized, but it was fun to see nonetheless.  Southwest South Dakota in general was very beautiful.  It was such a different environment from Oregon, or at least western Oregon.  The rest of South Dakota, however, was not that exciting.&lt;br /&gt;&lt;br /&gt;Southeast South Dakota and Minnesota mainly consist of corn and soybeans.&lt;br /&gt;&lt;br /&gt;&lt;a name="cutid4"&gt;&lt;/a&gt;Next stop was paying a visit to Regina in Madison!  It was exciting to get to see Regina, since we hadn’t seen each other in forever-and-a-day.  However, it was rather nerve-wracking trying to a) drive the UHaul in downtown Madison with oblivious college students walked all about the road and b) attempting to back it out of the cul-de-sac on which Regina lives.  Regina, Jesse, Jamie, and I got to watch a lovely concert in the park while we were there and listen to the violinist play his recently-acquired, rather-expensive Stradivarius.&lt;br /&gt;&lt;br /&gt;And then it was off to Ann Arbor!&lt;br /&gt;&lt;br /&gt;P.S. Driving through Chicago sucked.  Those people are crazy, though not as crazy and Ann Arborites.  More on that later.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:5178</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/5178.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=5178"/>
    <title>Wow!</title>
    <published>2005-07-30T15:07:22Z</published>
    <updated>2005-07-30T15:07:22Z</updated>
    <content type="html">I'm getting married in fewer than six hours to the love of my life.&amp;nbsp; Life is wonderful.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:5058</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/5058.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=5058"/>
    <title>Grrrr</title>
    <published>2005-04-06T00:09:38Z</published>
    <updated>2005-04-06T00:09:38Z</updated>
    <content type="html">Never, under any circumstances, ever get high-speed internet through Starband.&lt;br /&gt;&lt;br /&gt;That is all.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:4760</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/4760.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=4760"/>
    <title>remnil @ 2005-04-02T10:07:00</title>
    <published>2005-04-02T18:07:03Z</published>
    <updated>2005-04-02T18:08:58Z</updated>
    <content type="html">Howdy folks,&lt;br /&gt;&lt;br /&gt;As you probably noticed from my last post, I have some exciting news: I'm engaged to the most beautiful, intelligent, supportive, sweet, and generally wonderful woman in the world!&amp;nbsp; (No offense intended to all of the other beautiful, intelligent, supportive, sweet, and generally wonderful women out there.)&amp;nbsp; We've been busily planning a wedding for this summer whilst searching for housing in Ann Arbor.&lt;br /&gt;&lt;br /&gt;Life is going quite well for me.&amp;nbsp; The Ford School of Public Policy accepted me, so I get to do the dual-degree program in Library Science and Public Policy.&amp;nbsp; And the School of Information has offered me a half-tuition scholarship.&amp;nbsp; Unfortunately, I didn't get the fellowship position for which I was hoping, but I'm pretty sure the Ford Family Foundation scholarship will come through, which pays for 80% of unmet costs including living expenses.&amp;nbsp; There are some nice job opportunities in the Ann Arbor District Library, too, which I'm pretty sure I can get.&amp;nbsp; One of them is a Public Library Associates position for UM students.&amp;nbsp; Since my career path is public library, this position would probably prove more useful than working in an academic library anyway.&lt;br /&gt;&lt;br /&gt;I think I'm getting the job-equivalent to senioritis at the high school; I'm just not as motivated to get things done.&amp;nbsp; Admittedly, there isn't that much left for me to do, but still.&amp;nbsp; Also, in my waning days as Library Specialist, I think that Mr. Murphy has his sights set on me.&amp;nbsp; I got a new(er) computer, trasnferred all of the library catalog files (I mean EVERYTHING), yet it didn't transer the card and label settings.&amp;nbsp; These are a major pain in the ass to redo as you basically have to go through about bazillion sheets to get them right.&amp;nbsp; Grr.&lt;br /&gt;&lt;br /&gt;Yesterday was a professional day for teachers which meant that I was supposed to get a day off.&amp;nbsp; However, the principal asked me to present on the CIM to the teachers.&amp;nbsp; Well, I came in and what should happen but: 1) nobody bothered to bring the LCD projector back to the library like I asked them, so I had to play projector sleuth to track it down ; 2) a couple of weeks ago, somebody from another building borrowed the audiovisual screen and didn't bother to tell me or to bring it back, resulting in almost having to do the presentation on the blinds ; and 3) I wasn't informed that I was actually presenting at 2.00p instead of 1.00p.&amp;nbsp; I suppose that I should be happy that it wasn't the other way around.&amp;nbsp; "I'm not suposed to be here today!" was what I was thinking all day&lt;br /&gt;&lt;br /&gt;Anyhoo, that's what's new in my life.&amp;nbsp; I probably should think about getting to work now.&amp;nbsp; TTFN.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Current Book:&lt;/b&gt; &lt;i&gt;It's a bird&lt;/i&gt; by Steven T. Seagle and Teddy Kristiansen.&amp;nbsp; An interesting graphic novel about a man who writes Superman comics.&amp;nbsp;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:4476</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/4476.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=4476"/>
    <title>remnil @ 2005-03-21T06:11:00</title>
    <published>2005-03-21T14:10:13Z</published>
    <updated>2005-03-21T14:10:13Z</updated>
    <content type="html">&lt;a href="http://www.livejournal.com/users/cymric/93420.html" target="_blank"&gt;Surprise!&lt;/a&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:4004</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/4004.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=4004"/>
    <title>Woo hoo!</title>
    <published>2005-02-21T20:06:06Z</published>
    <updated>2005-02-21T20:07:20Z</updated>
    <content type="html">-----Original Message-----&lt;br /&gt;From: si.admissions@umich.edu&lt;br /&gt;Date: Mon, 21 Feb 2005 10:05:57 -0700 (GMT-07:00)&lt;br /&gt;Subject: School of Information&lt;br /&gt;&lt;br /&gt;                &lt;br /&gt;Dear Mr. Nielsen:                &lt;br /&gt;                &lt;br /&gt;&lt;br /&gt;On behalf of the Dean and Faculty of the School of Information, I am pleased to recommend you for admission to the Master of Science in Information program at the School of Information, University of Michigan, for Fall 2005.  &lt;br /&gt;&lt;br /&gt;The School of Information offers you the opportunity to become part of a community of world renowned faculty and outstanding students. You will be able to choose courses from an interdisciplinary curriculum which corresponds to four specializations, from which you may launch a variety of exciting careers. An important part of our curriculum is the ability to engage in internships and group projects with a wide array of businesses and non-profit organizations. For information about SI's curriculum, courses, practical engagement program, special seminars and colloquia, be sure to visit our Web page at si.umich.edu.&lt;br /&gt;&lt;br /&gt;We invite you to attend Visiting Days @ SI, March 19-21.  This is a special event for students admitted for Fall 2005, and will include a range of activities for you to learn about areas of study and research, connect with employers about part-time job possibilities, explore housing options, and develop friendships with future classmates.  Please read the enclosed flyer for more details.  We are also happy to arrange individualized visits.&lt;br /&gt;&lt;br /&gt;SI's Fall 2005 New Student Orientation will be held during the week before the start of classes. This mandatory event will include information on courses and curricular options, faculty advising, computing orientation, class registration, career services, financial aid resources, and will feature social activities with new and current students. Additional details will be provided to you.  Classes for Fall 2005 begin Tuesday, September 6th. &lt;br /&gt;&lt;br /&gt;Please e-mail si.admissions@umich.edu to inform us of your enrollment decision directly. Rackham will finalize your admission, and provide you with a Web site to inform them of your enrollment decision as well.  Please send changes in your contact information (address/phone/email) in the coming months to si.admissions@umich.edu.  &lt;br /&gt;&lt;br /&gt;We hope you plan to join the SI community for your graduate education. I am confident that you will enjoy your learning experience at the School of Information, the city of Ann Arbor, and the opportunities that our program will present. &lt;br /&gt;				&lt;br /&gt;				&lt;br /&gt;Sincerely,&lt;br /&gt;&lt;br /&gt;C. Olivia Frost &lt;br /&gt;Associate Dean for Professional Programs</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:remnil:3827</id>
    <link rel="alternate" type="text/html" href="http://remnil.livejournal.com/3827.html"/>
    <link rel="self" type="text/xml" href="http://remnil.livejournal.com/data/atom/?itemid=3827"/>
    <title>remnil @ 2005-02-18T22:15:00</title>
    <published>2005-02-19T06:31:24Z</published>
    <updated>2005-02-20T18:02:51Z</updated>
    <content type="html">So this week I got told by one of our new students (an East Coaster, no less) that I "rock socks."  Given her tone and generally-positive attitude toward me, I'm taking it as a compliment, if an odd one.  I suppose my lack of understanding is yet another sign that I'm getting old.  At least I'm not as old as the other teachers, though (and it's a good thing none of them read this).&lt;br /&gt;&lt;br /&gt;Since my last post, I can now actually see my floor, or at least I could if I were at home.  Of course, the sad part is that I just cleaned it last night, two weeks after noting my own slobbiness, and I didn't do all that great a job at it.  And I'm starting another marathon bout of housesitting, so I'm not really going to be around to finish the job.  Oh well.  At least I finally found my checkbook, eh?&lt;br /&gt;&lt;br /&gt;Jamie and a few of her friends went to Sunriver for the long weekend, but since I work on Saturday and am starting house/catsitting on Sunday, I had to stay home. [sigh]  She left me her keys, though, so I do have free reign of her libraries.  For those of you who are not librarian types, a good deal of fun can be had alone in a library.  Imagine have a free run of Watzek.  And yeah, I know I'm a complete dork.&lt;br /&gt;  &lt;br /&gt;Despite not getting to go on this little vacation, I am excited because this summer I'll actually be unemployed for a couple of months or so.  Now most of you might be wondering what I find so exciting about being unemployed, but believe me, it's exciting.  I've always had a job or something (usually several somethings) to keep me occupied since I was 14, so the thought of having no responsibilities for a few months is pure bliss.  It'll be a nice break before getting back into the thick of school again.  Jamie and I are going to travel a bit, visiting some of her family and friends in New Jersey and Florida.  A good time shall be had by all.&lt;br /&gt;&lt;br /&gt;Anyhoo, that's my life in a nutshell.  I think we'l be in p-town from March 21-24, if any of you will be up there.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Current Book:&lt;/b&gt; &lt;i&gt;Sonnets from the Portuguese&lt;/i&gt; by Elizabeth Barrett Browning.  Absolutely gorgeous.</content>
  </entry>
</feed>
